Exhibition

Tania Kovats exhibition ‘Oceanic’ references the artist’s ongoing fascination with the sea, water and the environment, but also invokes heightened emotional states and a profound feeling of interconnectedness with nature. The exhibition includes two major sculptural works, Bleached (2017), and Divers (2018) not previously exhibited in London, alongside new sculptural pieces and works on paper.

The exhibition, Vision Machines, by artist and filmmaker Peggy Ahwesh, is curated in collaboration with London-based scholar and critic Erika Balsom.   The exhibition includes single-channel films and video installations made between 1993 […]

Wet Room, is a new commission by Lucy Stein, which comprises a new series of coffin-scale paintings, deities carved from soap, and a fully functioning, hand-painted wet room. Building on a lasting engagement with goddess culture, witchcraft and idea of the ‘anima’, the exhibition is based on Stein’s research into the ancient, womb-like Neolithic passages unique to West Cornwall.

Known for her work examining the relationship between the body and architecture, Emily Speed develops a new commission for Tate Liverpool in 2021. Speed’s practice considers how a person is shaped by the buildings they have occupied and how a person occupies their own psychological space.  

‘Ongoing Work’, is an exhibition by Susan Morris, which is a snapshot of the artist’s overall practice.  The exhibition focuses on two recently completed projects: Silence (Project for a Library), is a set of six Jacquard tapestries woven directly from ambient sound recordings taken in the garden outside a library.  They are configured to the 'score' for John Cage's […]

Kaye Donachie’s paintings pay tribute to a cast of historical female figures. Modernist performers, futurist actresses and non-conformist poets become protagonists connected by their unconventional beliefs and preferences. The paintings recognise the allure of these individuals and the extent to which they have stimulated Donachie to illuminate their specific histories, posing questions such as what […]

Hannah Arendt in her essay The Crisis in Culture, considers the social and political implications of what she understands as a crisis in culture. The idea is represented by Pamela ROSENKRANZ in her sculpture Pour Yourself , which functions like a catchy advertising slogan promoting bottled water as a lifestyle accessory for the health conscious. The drawings of […]

This exhibition, Uncommon Power, explores the life, art and feminist legacies of Lucy and Catherine Madox Brown.

The work of Julie Béna, The Den, is made up of an eclectic set of references, often drawing motifs from theatre, literature and mythology to create enigmatic environments that redistribute the coordinates of class and gender relationships. Spanning sculpture, installation, film and performance, Béna’s artistic practice navigates a territory at the confluence of illusion and reality, […]

Mickalene Thomas’ Beyond the Pleasure Principle is the second chapter of a multipart exhibition that will unfold across four international cities during fall 2021 to present interconnected bodies of new work, ranging from painting and collage to installation and video. Over the past 20 years, Thomas has cultivated a distinctive vocabulary of black erotica, black female sexuality, […]

Gala Porras-Kim's, work traces the global circulation of ancient precolonial artefacts extracted from their original sites and stored in museums and private collections.  It examines how the definitions and possibilities of these objects change in response to each context. Departing from official replicas of the monoliths recently found inside the Pyramid of the Sun in Teotihuacan, […]

Making It, is a group exhibition dedicated to a generation of pioneering women sculptors who came to prominence in the late 1960s and early 1970s. Taking an unexpected approach to […]

You Have a New Memory, Rachel Howard’s inaugural exhibition brings together a new body of work that continues Howard’s pursuit of the possibilities of painting through experimentation. For the past 25 years, Howard explored and challenged the capacities of paint, creating works that grapple with notions of uncertainty, fragility, beauty, and pain. Revelling in the […]

Janet Sobel's exhibition 20th Century Women is a unique presentation of paintings and drawings, which opened at Frieze Masters and continued after to show the work of sixteen artists and makers from a range of disciplines.  They are linked by a common commitment to their craft and a categoric refusal to adapt to normative requirements of the […]

Anne-Marie Butlin plaints flowers from still life, photographs, gardens and hedgerows in vivid colours.  

Still Here is an exhibition of new works on paper by Claudette Johnson. This body of work continues Johnson’s engagement with painting the Black subject, involving a considered process of live sittings to create complex paintings of imposing scale and expressive detail.

Andrea Büttner’s exhibition Asparagus Harvest, presents three recent bodies of work: a series of etchings depicting the harvest of white asparagus, a selection of glass vases and a large-scale photograph of a former plant bed at the Dachau Concentration Camp.

Subterrane, Rosanne Robertson’s exhibition brings together recent sculpture, performance, drawings and paintings which continue Robertson’s exploration of the terrain of the Queer body in the landscape – inspired by the great energy, freedom and fluidity of the sea.

A virtual reality painting, Still Life, overlays image, object and landscape to generate a saturated panorama. Users explore Chiara Passa’s unique topography, which is set across two distinct worlds, by traversing various types of terrain, moving through and around structures, and interacting with ornate objects. 360 is composed using photogrammetry – the process of interpreting physical material by […]