Place, Space and Who is a new artwork by Barbara Walker, created over a four-month residency at Turner Contemporary. It explores identity and belonging, featuring sound and portraits of five women and girls from the African Diaspora living in Margate and Kent.
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Nightjars and Allies, is the fourth solo exhibition by American artist Elizabeth Neel. The exhibition features new paintings on canvas that continue to foreground Neel’s reflections on our surrounding physical landscape well as the inner landscape of the mind. The exhibition takes its name from a new painting, Nightjars and Allies, and is the largest scale […] An exhibition of the work of Hungarian artist Dóra Maurer , which brings together some 35 works, revealing the diversity of her output, including graphic works, photographs, films and paintings. Spanning more than five decades, the show highlights the playful conceptual approach that she brings to her experiments across all media. A fascinating selection from Lessing’s extensive personal archive, is displayed for the first time, giving unprecedented insight into Doris Lessing’s life. The exhibition uses visual art and objects, alongside private correspondence and working papers, to explore the unfamiliar or forgotten aspects of Lessing’s life as well as iconic works that shaped her legacy. This exhibition […] Beast Type Song is a new film exploring the erasure and revision of identities and histories past and future. The work features performances by Yumna Marwan, Elizabeth Peace and boychild, and by Al-Maria herself. Each one is cast against the science fiction backdrop of a solar battle, as evoked by Etel Adnan in her 1989 war poem, The […] Fons Americanus is a 13-metre tall working fountain inspired by the Victoria Memorial in front of Buckingham Palace, London. Rather than a celebration of the British Empire, Kara Walker’s fountain explores the interconnected histories of Africa, America and Europe. She uses water as a key theme, referring to the transatlantic slave trade and the ambitions, fates […] This Centenary exhibition 1919 – 1999 traces Prunella Clough’s work from her early figurative depictions of dockworkers, fishermen, a lorry driver, as it evolves towards abstraction. The figures slowly disappear but Clough’s close observation of colour, texture and form remain constant throughout, as does her fascination with the human impact on landscape. It was this […] Joy Labinjo's paintings depict intimate scenes of contemporary family life, capturing the everyday and the domestic. She creates her compositions by fusing different photographs together, instinctively collaging interiors and figures. Jo Crook collects seaweed specimens from south Devon beaches where they have been washed up and are at the end of their biological lives. There is no loss to their environment, nor to biodiversity. Their beauty is retained and made visible in these works. A seemingly endless variety of shape, size, form, texture and colour […] A Long Memory brings together many new and acclaimed works - including drawings, sculpture and video. This exhibition engages with Elizabeth Price’s pre-occupations of technology, history, politics and pop music. More than 70 outfits are on display in this new exhibition, which explores shopping and style in Liverpool during the interwar years. An English lady’s wardrobe offers new insight into Liverpool’s wealthy Tinne family, showcasing clothing and accessories purchased by Mrs Emily Margaret Tinne (1886-1966). The Tinne Collection is the largest collection of a single person’s clothing […] This exhibition in the NOW series highlights the work of Scottish artist Katie Paterson, considered to be a leading artist of her generation. Her works are the result of long periods of research and involve collaboration with specialists in scientific and other fields in order to translate complex ideas into physical, often poetic works of art. The exhibition Radical Women explores how Jessica Dismorr and her female contemporaries engaged with modernist literature and radical politics through their art, including their contributions to campaigns for women’s suffrage and the anti-fascist organisations of the 1930s. 80 works including paintings, sculptures, graphic art and archival materials, some of which have never been exhibited before, are […] An exhibition celebrating the life and career of pioneering Edinburgh-born artist Mary Cameron (1865-1921). The exhibition Life in Paint places this forgotten artist back in the spotlight. It explores the fascinating story of Cameron’s life and career, charting her creative journey from elegant family portraits to breathtaking Spanish scenes. The exhibition features over forty rarely-seen […] An exploration of the role of art in community, identity and protest. The first chance in the UK to see American Pop artist Jann Haworth and Liberty Blake’s mural, Work in Progress. The 28ft mural is the result of a collaborative community project and celebrates women who were catalysts for change in the arts, sciences and […] This major exhibition, Life? or Theatre? features over 200 small gouaches on paper, which Charlotte Salomon created as part of a larger body of work in the early 1940s when in hiding from Nazi oppressors. These remarkable gouaches unveil a vivid self-portrait spanning across all facets of Salomon’s existence: from a complicated family life, growing up […] Including new and recent works, Chiara Camoni's exhibition, About this and that. The Self and the other. Like everything, includes a collaborative piece made specifically for this space. Working primarily across drawing, sculpture and installation, Camoni creates spaces imbued with poetic sensibility. Her work is the result of a process which she calls ‘deviations’ where […] This major retrospective highlights the abstract sculptures of Slovak artist Maria Bartuszová. The exhibition starts in the 1960s, when Bartuszová created her own experimental method of casting plaster by hand. Inspired by playing with her young daughter, she found she could create pure abstract forms by pouring plaster into rubber balloons. She would shape the sculpture […] Vivian Suter’s work is inspired by the tropical landscape of Panajachel in Guatemala, where she lives and works. The environment plays an important role in the making and development of her work. She leaves her artwork outdoors to be exposed to the elements so that natural substances, such as volcanic and botanical matter, are incorporated […] A retrospective of the work of Helen Frankenthaler (1928–2011), one of the most significant American artists of the twentieth century. A key member of the second generation of abstract expressionist painters, she made a major contribution to the subsequent development of abstract painting with works acclaimed for their bold forms and colours. An innovative exhibition mixing historic objects with new work by artist Charlotte Hodes and poet Deryn Rees-Jones. In a set of three interlinked spaces, the exhibition interprets the lives and works of women writers and their ‘errant’ voices across three centuries. Relieved of the narratives of genre and time; text, image, and animation explore aspects […] The exhibition spans Judy Chicago's fifty-year career, from her early actions in the desert in the 1970s, to her most recent series, The End: A Meditation on Death and Extinction (2013–16), which has not been previously shown outside of the US. Judy Chicago explores her work from the perspective of the human condition, connecting birth and death with the emotional […] The Archive hosts a display of materials from, and relating to, the Her Noise Archive. Her Noise was initiated by Lina Džuverović and Anne Hilde Neset in 2001, with an ambition to investigate music and sound histories in relation to gender, and to create a lasting resource and a starting point for new investigations. In […]
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During the 1930s, Dora Maar’s provocative photomontages became celebrated icons of surrealism. Her eye for the unusual also translated to her commercial photography, including fashion and advertising, as well as to her social documentary projects. In Europe’s increasingly fraught political climate, Maar signed her name to numerous left-wing manifestos – a radical gesture for a woman at that time. In middle […] Paula Rego: Obedience and Defiance is an ambitious retrospective of the Portuguese artist’s work that brings politics to the fore. Spanning Rego’s career from the 1960s through to 2012, the works in this exhibition address António de Oliveira Salazar’s fascist regime, the 1997 referendum on legalising abortion in Portugal, the invasion of Iraq in 2003 […] Lindsey Mendick was selected through an open call for a commissioned solo exhibition, Regrets, I've had a few that launches SPACE’s new gallery. As part of the commission, she will lead a series of ceramic workshops for Ilford’s +65s . Lindsey creates installations centred on her skilled work in ceramics and includes banner painting, sewing, metalwork, furniture […] “I look at the street and at people walking on foot with different appearances advancing at different speeds. I think of the invisible threads which manipulate them... I try and see the machinery which organises them. I think this is in a way what I attempt to paint.” This is a travelling exhibition of works […] In Lubaina Himid's paintings you discover the intimate portrayal of women. Her characters are often presented in close pairs, quietly involved in interactions that the artist describes as both complex and ordinary. This display features Freedom and Change 1984, Himid’s earliest work to depict this subject, alongside more recent work. It traces the way her paintings have […] This installation emerged from Heather Ross's 2014-17 project entitled On Being Out of Touch which explored the gaps between information, knowledge and experience, specifically considered in relation to learning about the birds. In All The Better To Hear You With Ross combines these concerns with her research into Kurt Schwitters' experimental approaches to the written and spoken word, exploring the discrepancies between […] The Future Is Here! is a new commission from artist and researcher Mimi Onuoha which examines the process of dataset creation. In order to extract value from information, tech companies and researchers increasingly employ machine learning. This process requires huge quantities of data which have been labelled and tagged according to specific criteria, by ‘human work’ that […] This exhibition, Origins and Endings brings together the work of an artist and a musician who collaborated with The Policy, Ethics & Life Sciences Research Centre (PEALS), at Newcastle University. The exhibition highlights partnerships that have culminated in creative works in response to the academic research carried out, and ranges across the broad themes of being human, […] Sheila Chukwulozie explores the politics of “behaving oneself” in a Catholic-colonial body through juxtaposing local rituals, modern technology, traditional myths, and movement styles. She is drawn to exposing internal and consistent dialogues — coded through discipline and punishment and language like “conscience”, “moral compass” or even “The Holy Spirit”. During her residency, Sheila plans to focus […] Vibeke Mascini researches cases in which cultural systems falter and regularities shake. She is currently undertaking long-term research in which she navigates through a variety of prehistoric and futuristic notions regarding the perception of (animal) electricity as a speculative agent of life. During her time at Delfina she will continue this research by experimenting with […] ‘The Four Ages of Woman’ highlights a diversity of artistic observations on the lived experiences of women from childhood to old age, including but by no means restricted to experiences of mental distress. It includes work by artists who deserve to be better known – Marion Patrick, Elise Warriner Pacquette, Charlotte Johnson, Lisa Biles, Bibi […] Gill Button is well-known for paintings that use images found in the media as their subject. In recreating these as gestural, intimate portraits, Button turns the mass-produced into something deeply personal and specific. It is a practice that looks at how we identify with the media landscape, and how we constitute ourselves in relation to […] Sena Başöz is an artist and filmmaker based in Istanbul. Her work investigates healing processes after cases of trauma, and recently she has been focusing on subjects such as death, regeneration, renewal and liberation. During her residency at Delfina Foundation, Sena intends to work on a new performance piece that will activate an archive. Maternality’ is the second instalment of the two-part show on maternal politics and embodiment, which focuses on reproduction and the materiality of maternal bodies. Curated by Catherine McCormack, the exhibition finds its starting point in the etymological root of the word “mother” as synonymous of matter (mater/materia in Latin) in a group show exploring female […] This exhibition, Great Minds, displays a selection of portrait photographs of leading artists, writers and scientists from the archive of Anne-Katrin Purkiss. It is dedicated to women working in creative professions, defined broadly to encompass scientific as well as artistic production. The images are brought together in order to challenge our unconscious bias of a […] Peggy Franck's exhibition, ‘You Begin’ is taken from Margaret Atwood’s poem ‘You Begin’ in the volume ‘Two Headed’ Poems. Plates is based on field work undertaken in Ethiopia and Northern Ireland by artist Rachel Pimm with a soundtrack by Lori E. Allen. For this commission, the artists create a visual and sonic topography with words, images and sounds that have been collected from an archive of self-similar images of biological, geological and physical matter. The space […] Lesley Foxcroft uses simple and everyday materials such as MDF, rubber, paper and card to make works that are sculptural in nature, yet often are wall mounted and very much rooted in their surroundings; responding to the corner of a room, ceiling or floor. Utilitarian and minimal in appearance, the artist’s use of simple materials […] The exhibition, 9th St. Club features works from Elaine de Kooning, Perle Fine, Helen Frankenthaler, Grace Hartigan, Lee Krasner, Mercedes Matter, Joan Mitchell, and is inspired in part by Mary Gabriel’s acclaimed book ‘Ninth Street Women’, which is about the work, lives and spirit of this group. Vivian Suter, lives beside the volcanic lake Atitlán, in Guatemala, and draws her inspiration from the lush plants, vibrant flowers, birds and constantly changing weather of this tropical habitat. Her mixed media abstract paintings evoke the living energy of the forest: large, unstretched canvases are swathed in colour, gestural brushstrokes and organic motifs. Alice Kettle works with marginalised communities and individuals, and collaborates with expert stitchers from around the world. Individuals from Syria, Iran and Uganda contribute to the hand stitching found on these drawn portraits by Alice. She wishes to acknowledge the importance of their input. This new series of portraits can be seen in the context of […] Just Glass Group show, Recollection, focuses on memories in glass: everything from personal reminiscences to nostalgia, from the science of memory to the commemoration of moments in history. Each piece in the show has been inspired by memories and created in glass. The show features work from internationally renowned glass-makers as well as from emerging artists, […] Christine Rebet's exhibition Time Levitation, comprises six hand-drawn animated films that address the traumas of personal and collective histories, illusion and the destruction of our shared history and environment. Drawing is at the heart of Rebet’s practice, which she often develops into animated films, sculpture, installations or performance art C I T H R A is the first solo exhibition in London by Lauren Gault. Experimenting with unorthodox techniques and manufacturing processes, her work explores the often imperceptible changes that occur all around us. From microscopic events to geological time-scales, her works confront the ethical, political and emotional implications of human interactions with the […] Little is Enough For Those in Love, is Cassi Namoda’s first European solo exhibition, which takes its title from an East African proverb. The exhibition features new paintings that explore life and love in the city of Maputo, the artist’s birthplace and home for several years. Veering between the polarities of joy and pain, Namoda foregrounds […] Until the 20th C, many women spent most of their adult years pregnant, but pregnancies are seldom apparent in surviving portraits. Portraying Pregnancy brings together images of women – mainly British – who were depicted at a time when they were pregnant (whether visibly so or not). Through paintings, prints, photographs, objects and clothing from the […] France-Lise McGurn works with painting to create layered installations that incorporate gallery walls, floors and ceilings. "In Emotia" is a derivative term which suggests a state of being, simultaneously emotional and in motion. Mcgurn’s figurative painting and wall drawings evoke bodies and limbs overlapping and interacting in ambivalent spaces, at parties, in night clubs, on streets […] Illuminating the Self is an exhibition of new work by Susan Aldworth and Andrew Carnie in response to groundbreaking research led by Newcastle University into developing a new treatment for epilepsy. The exhibition, which includes further work at Vane Gallery, explores different aspects of the University's CANDO project (Controlling Abnormal Network Dynamics using Optogenetics). Optogenetics is […] |
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This is the first UK solo exhibition of works by Hedda Sterne (1910–2011). She was an active member of the New York School, and was born in Bucharest, Romania in 1910 and fled to the US in 1941. Sterne created an extensive body of work that intersected with some of the most important movements and […] |
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Penelope Haralambidou's project 'City of Ladies' studies 'The Book of the City of Ladies', 1405, by Italian/French medieval author Christine de Pizan (1364 – c.1430). The text is part of a compilation assembled for Queen Isabeau of Bavaria between 1410 – 1414 (Harley MS 4431) the largest surviving collected manuscript of her works and one […] |
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Laws of Ordered Form is a new commission by Anna Ridler for Data / Set / Match, a programme exploring how digital technology and new categorisations increasingly influence the way humans and machines see and understand the world today. The project creates a “historic” ImageNet using labels and photographs from Victorian and Edwardian encyclopaedias to show how the echoes of historic […] |
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The End of the Sentence presents artist Judy Price’s research into the history of Holloway Women’s Prison. The exhibition reflects on the impact of the criminal justice system on women, and features new work by Price, other artists whom she invited and archival material. |
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‘Window’ is an exhibition by Isa Genzken featuring a new and unseen body of work. Genzken’s immersive environment expands on the themes of travel, through elements of an aircraft cabin, and the window as a juncture between interior and exterior spaces. In this respect, it reveals the artist’s interest in architecture and light. Genzken is […]
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In a brief but explosively inventive career, Alina Szapocznikow (1926 – 1973) radically re-conceptualised sculpture as a vehicle for exploring, liberating and declaring bodily experience. In the exhibtion, ‘To Exalt the Ephemeral: Alina reveals the full expressive potential of her work through the material innovations she made during the last decade of her life. […] This selection of works demonstrates the genius in Marie Laurencin’s vision of a self-sufficient world of female affection and creativity. This exhibition seeks to celebrate Laurencin’s qualities as a great modernist painter, her instrumental role in defining the Art Deco style, and her influence on a generation of the Parisian intellectual elite. |
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Hannah Townsend’s sculptural vessels, merge the practices of ceramics and printmaking to reveal scrupulous order behind each expressive mark. In Marking Time, Hannah slip-casts beakers and bowls in white earthenware and creates large statement vessels using a hybrid casting-throwing technique that yields pleasingly irregular contours. |
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Emily Myers, Anna Silverton and Ali Tomlin are linked by their exploration to form and its relationship to the surface. This exhibition, Line & Form brings their work together, which explores the relationships between surface decoration and form.⠀ |
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Inscriptions IV, is a screening of 'Inscriptions of an Immense Theatre' at the Whitechapel Gallery, curated by Gareth Evans. Dr. Sarah Hayden (Department of English, University of Southampton) will be in conversation with Ailbhe Ní Bhriain on Thursday 5 March 7–9pm. An exhibition of works by Rose Finn-Kelcey (1945-2014), which focuses on key pieces from the 70’s to the 90’s, exploring a breadth of work central to Finn-Kelcey’s practice. She first came to prominence in the early 1970s as an artist central to the emerging communities of performance and Feminist art in the UK. The nature of Finn-Kelcey’s […] A line drawn by hand is a fundamental act for Wendy Smith and underpins her work. This exhibition, Forms of Life, offers a selection of new and previously unseen work stretching back to the late 90s that highlights the rich and seemingly endless possibilities that emerge as Wendy explores the mysteries inherent in drawn lines on a flat […] Neda Dana-Haeri’s work is based on the interplay of “cultural memory” and personal memory. Her art is driven by Persian poetry and Eastern philosophy, and her works reflect images of nature carrying with them the unconscious emotions of our daily life. Neda uses layers of colours and textures to reflect and infer nature, the unconscious […] |
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A new solo exhibition of work by Linder Sterling, who is well known for her photomontage. This exhibition explores the diverse range of Linder’s practice, and explores her as performance artist, zine-maker, musician, documentary-photographer, collaborator, muse, guru, medium and body-builder. Abigail Reynolds travelled to the sites of fifteen former great libraries along the Silk Road to consider what a library means today. Her new work,Taken in a few seconds: by the reflection of light displays rare books and the oldest photograph from the Harris collection, alongside a moving image work giving voices to these objects and […] |
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Land of Dreams marks a pivot in Shirin Neshat’s gaze towards the “Western World” and opens the newest chapter in her practice. The exhibition comprises a portion of the 100+ photographic portraits and two video installations. For the first time, both mediums converge into one immersive experience to present a portrait of contemporary America under the […] |
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In this exhibition, SPIDER, Annegret Soltau will be restaging works from her early years in post-war Darmstadt, Germany. She presents works that examine themes of personal loss, identity, and transformation. The exhibition includes large-scale photo etchings, thread installations and archival works from the late 1970s and 80s. Unmanageable, is an exhibition of eleven recent paintings by painter and printmaker, Shara Hughes. This body of work proposes a novel exploration of interiority by using landscape as a model for working with and through consciousness. She began this series of paintings while offering support to close friends that were experiencing horrific tragedies and ordeals. |
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Unbound: Visionary Women Collecting Textiles celebrates seven pioneering women who saw beyond the purely functional, to reveal the extraordinary artistic, social and cultural importance of textiles, and costume, which gives us a beautiful and intensely human insight into our history. This major collaborative project explores the innovative approaches of Edith Durham (1863 –1944), Louisa Pesel (1870 […] |
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Rethreading and Retracing is an exhibition by Bita Ghezelayagh, which gives us a glimpse into her practice that is influenced by her Iranian cultural heritage. She transforms old woven textiles and eastern carpets into new pictorial objects and works of art, by using traditional embroidery techniques along with found materials to transform disused textiles, giving them a […] |
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