Alice Kettle works with marginalised communities and individuals, and collaborates with expert stitchers from around the world. Individuals from Syria, Iran and Uganda contribute to the hand stitching found on these […]
C I T H R A is the first solo exhibition in London by Lauren Gault. Experimenting with unorthodox techniques and manufacturing processes, her work explores the often imperceptible changes […]
Christine Rebet's exhibition Time Levitation, comprises six hand-drawn animated films that address the traumas of personal and collective histories, illusion and the destruction of our shared history and environment. Drawing is at the […]
Little is Enough For Those in Love, is Cassi Namoda’s first European solo exhibition, which takes its title from an East African proverb. The exhibition features new paintings that explore life […]
Until the 20th C, many women spent most of their adult years pregnant, but pregnancies are seldom apparent in surviving portraits. Portraying Pregnancy brings together images of women – mainly British – who were depicted at a time when they were pregnant (whether visibly so or not). Through paintings, prints, photographs, objects and clothing from the […]
France-Lise McGurn works with painting to create layered installations that incorporate gallery walls, floors and ceilings. "In Emotia" is a derivative term which suggests a state of being, simultaneously emotional and […]
Illuminating the Self is an exhibition of new work by Susan Aldworth and Andrew Carnie in response to groundbreaking research led by Newcastle University into developing a new treatment for epilepsy. […]
This is the first UK solo exhibition of works by Hedda Sterne (1910–2011). She was an active member of the New York School, and was born in Bucharest, Romania in […]
Penelope Haralambidou's project 'City of Ladies' studies 'The Book of the City of Ladies', 1405, by Italian/French medieval author Christine de Pizan (1364 – c.1430). The text is part of […]
Laws of Ordered Form is a new commission by Anna Ridler for Data / Set / Match, a programme exploring how digital technology and new categorisations increasingly influence the way humans and machines see […]
The End of the Sentence presents artist Judy Price’s research into the history of Holloway Women’s Prison. The exhibition reflects on the impact of the criminal justice system on women, […]
This selection of works demonstrates the genius in Marie Laurencin’s vision of a self-sufficient world of female affection and creativity. This exhibition seeks to celebrate Laurencin’s qualities as a great […]
‘Window’ is an exhibition by Isa Genzken featuring a new and unseen body of work. Genzken’s immersive environment expands on the themes of travel, through elements of an aircraft cabin, […]
In a brief but explosively inventive career, Alina Szapocznikow (1926 – 1973) radically re-conceptualised sculpture as a vehicle for exploring, liberating and declaring bodily experience. In the exhibtion, ‘To […]
Hannah Townsend’s sculptural vessels, merge the practices of ceramics and printmaking to reveal scrupulous order behind each expressive mark. In Marking Time, Hannah slip-casts beakers and bowls in white earthenware […]
Emily Myers, Anna Silverton and Ali Tomlin are linked by their exploration to form and its relationship to the surface. This exhibition, Line & Form brings their work together, which explores the relationships between surface decoration and form.⠀
Neda Dana-Haeri’s work is based on the interplay of “cultural memory” and personal memory. Her art is driven by Persian poetry and Eastern philosophy, and her works reflect images of nature carrying with them the unconscious emotions of our daily life. Neda uses layers of colours and textures to reflect and infer nature, the unconscious […]
A line drawn by hand is a fundamental act for Wendy Smith and underpins her work. This exhibition, Forms of Life, offers a selection of new and previously unseen work stretching back to […]
An exhibition of works by Rose Finn-Kelcey (1945-2014), which focuses on key pieces from the 70’s to the 90’s, exploring a breadth of work central to Finn-Kelcey’s practice. She first came to prominence in the early 1970s as an artist central to the emerging communities of performance and Feminist art in the UK. The nature of Finn-Kelcey’s […]
Inscriptions IV, is a screening of 'Inscriptions of an Immense Theatre' at the Whitechapel Gallery, curated by Gareth Evans. Dr. Sarah Hayden (Department of English, University of Southampton) will be in conversation with Ailbhe Ní Bhriain on Thursday 5 March 7–9pm.