A Certain Blue Enters Your Soul is Katrin Fridriks’ newest body of work, which focuses on the centrality of blue to our universal histories. Comprised of 14 new major works and accompanied with a text by the writer Sebastian Di Giovanni; this exhibition highlights the significance of blue throughout the world and its history. It is inspired […]
Alchemy is an inaugural exhibition of abstract paintings by, Rosannagh Scarlet Esson. The exhibition brings together Rosannagh's dynamic explorations into the chemistry of paint, metals, pigment and the elements, including brand new works produced at her studio in the past year in lockdown.
Temples, a solo exhibition of new works by Daiga Grantina, whose practice investigates the encounters between materials to propose a synthetic concept of the many relationships that shape our world. Grantina presents a new body of work made predominantly from fabric, wood, paint and plastic.
Internal Objects, is an exhibition of new work by Rachel Whiteread, who employs the formal language of Minimalism to objects’ minor details. She employs existing artifacts and spaces—including domestic objects like chairs and mattresses, interiors of rooms, and even, famously, an entire terraced house—to evoke and explore corporeal presence. Notably, her deft use of negative space can imply […]
An exhibition of her works. Vanessa Gardiner is a landscape painter, who captures scenes of the Cornwall coastline, by taking drawings directly from the location, such as Tintagel Place, Pentaghlion Cliff and many other vantage points. She paints these scenes to bring out their permanency, using layers of paint. Her paintings have a serenity and […]
The Nostalgia for the Infinite, is an exhibition by Jessica Rankin. Featuring new, mixed media paintings and works on paper, marks a significant shift within the artist’s practice. Known for her large-scale embroideries, collages and watercolours that combine celestial maps and landscapes with text, Rankin’s recent works focus more specifically on the language of painting. While […]
What Was My Own features over thirty new highly detailed, meticulous drawings, both large and minute in scale, derived from film stills. A sense of unease and melancholy pervades Marie Harnett’s new […]
Alice Anderson’s oeuvre hybridises the worlds of technology and ancestral cultures. Her works include sculptures, paintings and drawings generated through dance-performances, each with ritual at their essence. For this exhibition, Hyperlinks, Anderson presents performative works created through repetitive gestures, some coupled with rapid breathing (the technique of hyperventilation), which gives her access to a state of […]
Working across a range of media Melanie Smith explores notions of modernity in relation to art history and contemporary society. She has consistently addressed a number of interrelated themes encompassing the aesthetics of abstraction, urbanization, colonialism and, more recently, nature and entropy, working through a blurring and blending of the worlds of painting, cinema, and […]
'Mind Fields', marks the first exhibition of the work of Vivian Lynn (b. Wellington, NZ, 1931 - d. Wellington, 2018). "Our bodies are mediated by cultural codes, as are our daily lives. My interest is in dislocating and transgressing these codes in a way that makes them tangible. The different bodies, the biological, imaginary, socio-economic, political […]
The exhibition, Rising Heat, is accompanied by a new video with Anne Hardy; a selection of unique photograms that were produced in 2020 and form a new series titled The Depth of Darkness, the Return of the Light. The materials used in the production of these works were gathered from the River Thames foreshore while the artist was […]
Penny Goring's, No Escape from Blood Castle, is the second iteration of this body of work; the first of which was entitled Escape from Blood Castle. Goring makes drawings, paintings, sculptures, videos, and poems that access recurring personal trauma visions, and by layering these with grief, anxiety, imagination and rage, the subsequent invented mythologies become explorations […]
Gabriella Sanchez is a multidisciplinary artist, whose practice is largely influenced by her background in graphic design. The elements of typography, text, form and color play a central role in her visual vocabulary, referencing artists who also utilize script in their work. Gabriella's work, whether it is the use of metallic fonts on her canvases […]
The Bourdon Street Chemist by Lucy Sparrow is the artist’s seventh major installation. It marks her return to the UK after four years of exhibiting her faux-reality felt worlds abroad. Created with Sparrow’s characteristic painstaking research and attention to detail, the walls of this gallery are transformed into a fully-stocked chemist, handmade completely in felt. In […]
Museé Imaginaire is an ongoing series by Ann-Marie James made directly onto the pages of a first edition of French novelist and art theorist Andre Malraux’s seminal publication from 1952. Museé Imaginaire, or ‘the museum without walls’ as it is often translated, brings together imagery of art and antiquities from all over the world into one tome, calling […]
Your Dawn Will Come is a solo exhibition of new work by Aniko Kuikka.
Nicola Hicks is widely renowned for working on a monumental scale, this presentation focuses on rare smaller sculptures by Nicola, including works in bronze and for the first time, special studio cast plasters. Creating small-scale works during 2020 has allowed Hicks to embrace a year in which existing plans have been postponed and given her the room, both […]
Other Forms of Travel, is an exhibition of new vision boards and internet manipulations by search engine artist and the self-proclaimed “internet imperialist” Gretchen Andrew. The show includes new vision boards from the series "Best MFA" and "Map of the EU". Other Forms of Travel unleashes two new series that reprogram the artificial intelligence underlying the […]
'Megaflora' is an exhibition of new works by sculptor Alice Channer. The exhibition takes, as it’s starting point a bramble stem. It is also making an appearance in Rosanna Mclaughlin’s short story, ‘Ripple and Void’ specially commissioned to partner the work.
"The object aimed at by this series of handbooks is the recall of the designer and craftsman to a saner view of what constitutes originality by setting before them something of the experience of past times, when craft tradition was still living and the designer had a closer contact with the material in which his […]