Danielle Durchslag grew up in the Jewish 1%, the lucky beneficiary of her great grandfather, Nathan, who started out his life as an immigrant peddler, and ended it as a business and philanthropic giant. Her work explores the political and psychological complexities of dynastic families like hers; clans simultaneously afraid of the very real, and currently […]
Winter Break, a new installation of sculptures by Cynthia Talmadge. The works in this exhibition are emotive and suffused with a pervasive sense of melancholy – what Talmadge has described as “the feeling of being the only person left in the dorms over winter break.” The detritus of a previous semester, left by students who have […]
This exhibition, There's Still Another I See, focuses on pairings of paintings by Alice Neel of the same sitter, sometimes completed only a year or two apart, sometimes decades apart. With […]
Dindga!, an exhibition by Dindga McCannon, whose practice as both artist and activist has centred Black subjectivity for more than five decades. McCannon’s work fiercely scrutinises the inequality faced by Black women […]
Foragers (2022), is a new film by Jumana Manna, whose multidisciplinary practice spans sculpture, filmmaking, and writing, exploring the paradoxical effects of preservation practices in agriculture, archaeology and law. Foragers […]
In this exhibition, Studio Pictures, Cecily Brown returns to her beloved smaller (and smallest) paintings. Brown’s entire gamut and palette are on display: her older small paintings are like old […]
Infinite Folds, is an exhibition by Barbara Chase-Riboud, which charts over seven decades of her innovation in sculptural technique, exploring memory, history and power through monumental sculptures and works on […]
Brain Forest Quipu is the seventh annual Hyundai Commission for the Turbine Hall. The installation brings together different strands of Cecilia Vicuña’s practice: her use of found materials to create delicate […]
Kristy M Chan’s practice looks at the ways in which environments shape one’s identity. Previous series of work have seen the artist explore feelings of disorientation whilst existing between Eastern and Western cultures through kaleidoscopic colour fields and indistinct figures. Created this summer in London, the paintings in Binge mark a jump in Chan’s practice from the semi-figurative to total […]
Since 1999, Sonia Boyce’s Devotional project has worked in dialogue with the public to collectively gather the names and memorabilia of black British women in music. Just for the Record presents a series of […]
In The World We Make, Amy Sherald humanises the Black experience by depicting her subjects in both historically recognisable and everyday settings, at once immortalising them and reinserting them into […]
Reverse Shot is an exhibition by Marwa Arsanios surveying her interdisciplinary practice. The exhibition reflects on colonial and ecological violence and the alternative possibilities in grassroots community resistance and a more harmonious […]
Moneygame, combines portraits and photographs of the real and now of the strip world in the USA and captures the dancers’ beauty, playfulness and power. In a nod to the show’s title, by Elizabeth Waterman.
The exhibition focuses on Tanoa Sasraku’s, ' Terratypes', a recent body of work which draws on the artist’s personal and historical connection to the British landscape. Through this body of […]
Burcak Bingöl’s fragile clay objects are often broken or only partially fired and glazed, embracing mistakes and accidents that occur during the process of making. The action of rebuilding after […]
A pioneer of abstract art in Britain, Helen Saunders (1885–1963) was one of only two women to join the Vorticists, the radical but short-lived art movement that emerged in London […]
Contact Prints, is an exhibition by surrealist photographer, Dora Maar. Taken throughout the 1930s, the works in the exhibition provide an intimate encounter with Maar’s early photographic interests and her preoccupation with […]
Gatherer, is an exhibition of work by Catherine Repko. Using an emphasis on reduced forms and negative space, Repko explores the intersection between documentary and painting, memory and obfuscation, to create […]
An exhibition of contact prints by surrealist photographer, Dora Maar. Taken throughout the 1930s, the works in the exhibition provide an intimate encounter with Maar’s early photographic interests and her preoccupation with the subtle and uncanny. The exhibition anticipates her later foray into surrealism for which she is renowned today.
This exhibition looks at the ways in which artists have used a range of printmaking processes from centuries-old methods to digital technologies to produce very different images. It is the first […]