Kristy M Chan’s practice looks at the ways in which environments shape one’s identity. Previous series of work have seen the artist explore feelings of disorientation whilst existing between Eastern […]
Since 1999, Sonia Boyce’s Devotional project has worked in dialogue with the public to collectively gather the names and memorabilia of black British women in music. Just for the Record presents a series of […]
In The World We Make, Amy Sherald humanises the Black experience by depicting her subjects in both historically recognisable and everyday settings, at once immortalising them and reinserting them into […]
Reverse Shot is an exhibition by Marwa Arsanios surveying her interdisciplinary practice. The exhibition reflects on colonial and ecological violence and the alternative possibilities in grassroots community resistance and a more harmonious […]
Moneygame, combines portraits and photographs of the real and now of the strip world in the USA and captures the dancers’ beauty, playfulness and power. In a nod to the show’s title, by Elizabeth Waterman.
The exhibition focuses on Tanoa Sasraku’s, ' Terratypes', a recent body of work which draws on the artist’s personal and historical connection to the British landscape. Through this body of […]
Burcak Bingöl’s fragile clay objects are often broken or only partially fired and glazed, embracing mistakes and accidents that occur during the process of making. The action of rebuilding after […]
A pioneer of abstract art in Britain, Helen Saunders (1885–1963) was one of only two women to join the Vorticists, the radical but short-lived art movement that emerged in London […]
Contact Prints, is an exhibition by surrealist photographer, Dora Maar. Taken throughout the 1930s, the works in the exhibition provide an intimate encounter with Maar’s early photographic interests and her preoccupation with […]
Gatherer, is an exhibition of work by Catherine Repko. Using an emphasis on reduced forms and negative space, Repko explores the intersection between documentary and painting, memory and obfuscation, to create […]
An exhibition of contact prints by surrealist photographer, Dora Maar. Taken throughout the 1930s, the works in the exhibition provide an intimate encounter with Maar’s early photographic interests and her […]
This exhibition looks at the ways in which artists have used a range of printmaking processes from centuries-old methods to digital technologies to produce very different images. It is the first […]
Shelf Life, a selection of works exploring the theme of still lives curated by Jessica Draper and including works by Oda Iselin Sønderland, Taylor Simmons, Nathanaëlle Herbelin, Aubrey Levinthal, Nada […]
Holmes’ practice currently revolves around a set of ‘Contradictions and Notes on Painting’: a list of thoughts on, and rules for, painting. This forms the basis of Holmes’ current show.
Proper Time, an exhibition of new work by Margarita Gluzberg. Taking the form of a series of large-scale drawings, the works feature spheres rendered in pastel and coloured pencil that seem to sit […]
Reena Saini Kallat’s exhibition Common Ground, is a carefully woven tapestry of themes, investigating notions of borders, migration, inequity and citizenship. In Kallat’s powerful work maps, rubber-stamps, flags and the constitutions of […]
A major survey of photographer Hannah Starkey, which traces the development of her work across two decades. Throughout her career, Starkey’s meticulously choreographed photographs have determinedly engaged with how women […]
An exhibition of work by the four artists nominated for the Turner Prize 2022: Heather Phillipson, Ingrid Pollard, Veronica Ryan and Sin Wai Kin. Heather Phillipson presents RUPTURE NO 6, which […]
‘Discover Manet and Eva Gonzalès’ is the first in a series of exhibitions that look at a single painting from fresh and unexpected perspectives. Eva Gonzales (1847–1883), the daughter of […]
Hayley Tompkins once described her process as one of trying really to see something. Turning her gaze on everyday objects, she uses paint, photography and film to mark them, and […]