An In Focus series of objects at the House, celebrates works created by Horace Walpole’s beloved goddaughter, sculptress Anne Seymour Damer (1748 – 1828), who inherited the House upon his death in 1797. Central to the new display is Damer’s marble bust of her mother, Caroline Campbell, Lady Ailesbury, thought to be made in the […]
An exhibition that juxtaposes works by Lucinda Burgess and Frank Gerritz.
The first UK retrospective of Glasgow-born, Lucy McKenzie. The exhibition brings together over 80 works dating from 1997 to the present. Visitors can enjoy large-scale architectural paintings, illusionistic trompe l’oeil works, as well as fashion and design. The exhibition highlights themes that have interested the artist throughout her career such as the iconography of international sport, […]
Over the past 30 years, Hélène Binet has travelled the world to photograph historic and contemporary buildings, as well as projects in the making. She is considered to be “the architect’s photographer” by many, because of her ability to interpret their work. In this intimate exhibition of around 90 photographs, spanning projects from across Binet’s career, […]
Contacts is an intimate glimpse at a lesbian community in San Francisco in the '90s through the archive of photographer Phyllis Christopher, who belongs to a politicised tradition of documentary photography. […]
WÜNDER WOMXN: The Female Figurative is our first (and only) group exhibition of 2021. We are thrilled to bring together such a stellar roster of exclusively female painters whose predominant painting practice surrounds the female figure. Artists in this exhibition come from varied technical and experiential backgrounds, but the overriding concept is that the works should […]
If I Measure It Must Exist, an exhibition of new work by Frances Richardson. Central to the exhibition are themes of balance and counterbalance, real and phantom, be it through intricate ink drawings of objects or in drawings in sculptural form. Every element sits together to create a walk-through still life of Richardson’s making.
A major new body of work Wish You Were Here, by Christiane Baumgartner, concerns the movement and play of light across the horizons of land and sea, The centrepiece of the exhibition, unveils the largest and most ambitious work ever made by Baumgartner; sequential views of a cascading waterfall, measuring over nine metres in width. Baumgartner, […]
Chioma Ebinama is an artist who is interested in how animism, mythology, and precolonial philosophies present a space to articulate a vision of freedom outside of Western social and political paradigms. Her work also reflects on gender and queer identities through a figurative language that is informed by surrealism and Igbo culture among other sources.
Plan B – série b, is Joëlle Tuerlinckx’s exhibition, in which she cites the conventions of how archive material is presented, while continually rearranging and re-articulating her work(s) into new forms and constellations. The exhibition’s title wryly refers both to a ‘logical’ method of classifying the thought of a work – infinite, rhizomatic, unfixed, and on going […]
Ethel Walker paints landscapes of the West Coast of Scotland where she lives. She is inspired by the transient and permanence of the world around her and uses light, form and colour to interpret what she sees on to her canvas.
Flux is a show of vital new work by Kate Giles following the passage of the seasons over the last year; a searching and vigorous response to the restless light and weathering over field angles, tree, orchard and hedgerow, alert to the legacy of Constable, Crome and Ruisdael.
Anne Krinsky's latest project is an outdoor print exhibition, Shifting Shorelines, which investigates vulnerable South Coast wetlands, and is installed on the seafront in Worthing. Anne photographed South Coast wetlands in 2020 and 2021, visiting coastal locations in Lymington, Keyhaven, Chichester, Pagham and Portsmouth. She then worked with projection, photography and digital print to design a series […]
Flesh and Blood and Running Water, is part of two concurrent exhibitions by Billie Zangewa, who is best known for her intricate collages composed of hand-stitched fragments of raw silk. Zangewa creates figurative compositions that explore identity and challenge the historical stereotype, objectification, and exploitation of the black female form. For this presentation, Zangewa created two bodies of work inspired […]
The Seed Keepers is a new series of drawings that fuse Charmaine Watkiss' interests in botany, herbalism, ecology, history, and Afrofuturism. Researching the medicinal and psychical capabilities of plants, Watkiss has personified a matrilineal pantheon of plant warriors safeguarding and facilitating cross-generational knowledge and empowerment.
This exhibition marks a new chapter in Liz Larner’s diverse oeuvre, which brings together a large-scale plastic serpentine floor sculpture and plastic wall-based sculptures, shown alongside glazed ceramic asteroids. Emulating seafoam, Meerschaum Drift is an assemblage of painted coloured detritus harvested over several years. Using multiple types of plastic — some in its original form, some cut […]
Making Modernism is the first major UK exhibition devoted to pioneering women working in Germany in the early 1900s: Paula Modersohn-Becker, Kӓthe Kollwitz, Gabriele Münter and Marianne Werefkin. It reframes the movement through the experiences and perspectives of these ground-breaking artists who were central to the development of radical new approaches to art in Europe. Celebrated in […]
In Winter Print Show III, Kate Boxer expresses her skills and finds her own eclectic subjects for her drypoint and carborundum prints of animals, birds and personages from literature, history, art and film.
Cathy Wilkes has produced a unique body of work that challenges and engages with the experiences and ephemera of daily life, redefining the boundaries of sculpture and painting through her preternatural installations. The exhibition presents paintings, collages, etchings, and sculptures made of wire, cloth and paper, hung in close proximity to form one composition.
Aida Cervantes’ work is characterized by an interest in power relations between race, class, gender and even species. She explores these hierarchies both at the level of sexual or intimate […]