This exhibition reflects on a key area of history and reviews one hundred and twenty-five years of exhibiting women artists. It continues the spirit of our Modern Masters series and allows for the celebration of the pioneering, persistent, creative women artists at the end of the 19th century, and all the curators, gallerists and individual talents who […]
‘In My Room’, is Hannah Quinlan and Rosie Hastings’ exhibition, which brings together film, fresco painting and works on paper. As a new body of work, ‘In My Room’ develops the artists’ enquiry into the politics, histories and aesthetics of queer spaces and culture. This enquiry builds on their travels across the UK whilst making ‘UK […]
This exhibition, Blueprints, brings together new and existing works in an immersive, site-specific installation, expanding the themes of automation, virtuality and technology that Cao Fei continuously draws upon.
Aimée Parrott's practice encompasses painting, printing, sculpture, artist books, murals and installation. The artist's understanding of painting, her primary medium, informs the ideas expressed throughout her practice as a whole. Approaching the canvas as a fragile and permeable boundary - a metaphorical skin or body that holds the trace of time, thought and gesture - […]
'I Saw the World End’ created by Es Devlin and Machiko Weston, and Voices of War form part of an IWM programme to mark the 75th anniversary of the end […]
An online exhibition of Antonia Showering's work
Evelyn and William De Morgan have been described as ‘two of the rarest spirits of the age’. Evelyn’s paintings bear the influence of early Italian Renaissance art as well as […]
Tools for Life is the first UK solo exhibition of Chilean artist Johanna Unzueta. It features a large-scale felt installation, a collection of garments, a film shot at a textile factory […]
Toyin Ojih Odutola proposes speculative fictions, inviting the viewer to enter her vision of an uncannily familiar yet fantastical world. Working like an author or poet, she often spends months […]
Tamar Mason’s practice encompasses textiles, sculpture, ceramics and architecture. The artist’s choice of media, traditionally associated with women's work, ornament, and domesticity, confronts perceived divisions between art and craft, and allows Mason […]
A pioneer of 1970s Feminist Art, Su Richardson played a key role in revalidating craft as a fine art form and its potential as a means of disrupting the white cube aesthetic. […]
From our celebrated collection of some of Britain’s most recognised fine art painters and printmakers, this body of work, State of Being, captures and interprets the human form. Each of our artists […]
In her distinctive approach to painting, Aileen Murphy generates imagery through a combination of slow layering and fast applications of oil paint, animating a delicate urgency and sparking sensations of both epiphany […]
The exhibition Two Views from the Same Window, by Malgorzata Polonczyk reunites several works that reinterpret different sections of the same contemporary piece.
The centrepiece of this exhibition reimagines the ‘Five Senses’ collaboration between Rubens and Brueghel, which Olivia Kemp’s new paintings reinterpret. Each painting presents one of the five senses as a figure, […]
Chantal Joffe: For Esme – with Love and Squalor, explores the intimate act of painting and portraiture. Taking its name from J.D. Salinger’s short story For Esmé – with Love and […]
Elizabeth Price’s trilogy of new multi-channel video works, SLOW DANS, includes KOHL, FELT TIP and THE TEACHERS. These present a fictional past, parallel present and imagined future, interweaving compact narratives that explore social and sexual […]
Jo Spence (1934-1992) emerged as a key figure in British photography in the mid-1970s. Engaging with a range of photographic genres, from commercial to documentary and photo therapy, Spence took a […]
Christine McArthur's early work was primarily in oil and she became well known for her large-scale still life paintings on canvas. In the late 1980s she began to work in oil […]
In the artist's own words "My interest in painting lies with non-representation and abstraction. I have no desire to make obvious comment or narrative about external worldly matters when painting. […]