Sheila Chukwulozie explores the politics of “behaving oneself” in a Catholic-colonial body through juxtaposing local rituals, modern technology, traditional myths, and movement styles. She is drawn to exposing internal and consistent […]
Vibeke Mascini researches cases in which cultural systems falter and regularities shake. She is currently undertaking long-term research in which she navigates through a variety of prehistoric and futuristic notions regarding the perception of (animal) electricity as a speculative agent of life. During her time at Delfina she will continue this research by experimenting with […]
‘The Four Ages of Woman’ highlights a diversity of artistic observations on the lived experiences of women from childhood to old age, including but by no means restricted to experiences of mental distress. It includes work by artists who deserve to be better known – Marion Patrick, Elise Warriner Pacquette, Charlotte Johnson, Lisa Biles, Bibi […]
Gill Button is well-known for paintings that use images found in the media as their subject. In recreating these as gestural, intimate portraits, Button turns the mass-produced into something deeply personal and specific. It is a practice that looks at how we identify with the media landscape, and how we constitute ourselves in relation to […]
Sena Başöz is an artist and filmmaker based in Istanbul. Her work investigates healing processes after cases of trauma, and recently she has been focusing on subjects such as death, regeneration, renewal and liberation. During her residency at Delfina Foundation, Sena intends to work on a new performance piece that will activate an archive.
Maternality’ is the second instalment of the two-part show on maternal politics and embodiment, which focuses on reproduction and the materiality of maternal bodies. Curated by Catherine McCormack, the exhibition finds its starting point in the etymological root of the word “mother” as synonymous of matter (mater/materia in Latin) in a group show exploring female […]
This exhibition, Great Minds, displays a selection of portrait photographs of leading artists, writers and scientists from the archive of Anne-Katrin Purkiss. It is dedicated to women working in creative professions, defined broadly to encompass scientific as well as artistic production. The images are brought together in order to challenge our unconscious bias of a […]
Peggy Franck's exhibition, ‘You Begin’ is taken from Margaret Atwood’s poem ‘You Begin’ in the volume ‘Two Headed’ Poems.
Lesley Foxcroft uses simple and everyday materials such as MDF, rubber, paper and card to make works that are sculptural in nature, yet often are wall mounted and very much rooted in their surroundings; responding to the corner of a room, ceiling or floor. Utilitarian and minimal in appearance, the artist’s use of simple materials […]
The exhibition, 9th St. Club features works from Elaine de Kooning, Perle Fine, Helen Frankenthaler, Grace Hartigan, Lee Krasner, Mercedes Matter, Joan Mitchell, and is inspired in part by Mary Gabriel’s acclaimed book ‘Ninth Street Women’, which is about the work, lives and spirit of this group.
Vivian Suter, lives beside the volcanic lake Atitlán, in Guatemala, and draws her inspiration from the lush plants, vibrant flowers, birds and constantly changing weather of this tropical habitat. Her mixed media abstract paintings evoke the living energy of the forest: large, unstretched canvases are swathed in colour, gestural brushstrokes and organic motifs.
Just Glass Group show, Recollection, focuses on memories in glass: everything from personal reminiscences to nostalgia, from the science of memory to the commemoration of moments in history. Each piece in the show has been inspired by memories and created in glass. The show features work from internationally renowned glass-makers as well as from emerging artists, […]
Alice Kettle works with marginalised communities and individuals, and collaborates with expert stitchers from around the world. Individuals from Syria, Iran and Uganda contribute to the hand stitching found on these drawn portraits by Alice. She wishes to acknowledge the importance of their input. This new series of portraits can be seen in the context of […]
C I T H R A is the first solo exhibition in London by Lauren Gault. Experimenting with unorthodox techniques and manufacturing processes, her work explores the often imperceptible changes that occur all around us. From microscopic events to geological time-scales, her works confront the ethical, political and emotional implications of human interactions with the […]
Christine Rebet's exhibition Time Levitation, comprises six hand-drawn animated films that address the traumas of personal and collective histories, illusion and the destruction of our shared history and environment. Drawing is at the heart of Rebet’s practice, which she often develops into animated films, sculpture, installations or performance art
Little is Enough For Those in Love, is Cassi Namoda’s first European solo exhibition, which takes its title from an East African proverb. The exhibition features new paintings that explore life and love in the city of Maputo, the artist’s birthplace and home for several years. Veering between the polarities of joy and pain, Namoda foregrounds […]
Until the 20th C, many women spent most of their adult years pregnant, but pregnancies are seldom apparent in surviving portraits. Portraying Pregnancy brings together images of women – mainly British – who were depicted at a time when they were pregnant (whether visibly so or not). Through paintings, prints, photographs, objects and clothing from the […]
France-Lise McGurn works with painting to create layered installations that incorporate gallery walls, floors and ceilings. "In Emotia" is a derivative term which suggests a state of being, simultaneously emotional and in motion. Mcgurn’s figurative painting and wall drawings evoke bodies and limbs overlapping and interacting in ambivalent spaces, at parties, in night clubs, on streets […]
This is the first UK solo exhibition of works by Hedda Sterne (1910–2011). She was an active member of the New York School, and was born in Bucharest, Romania in 1910 and fled to the US in 1941. Sterne created an extensive body of work that intersected with some of the most important movements and […]
Laws of Ordered Form is a new commission by Anna Ridler for Data / Set / Match, a programme exploring how digital technology and new categorisations increasingly influence the way humans and machines see and understand the world today. The project creates a “historic” ImageNet using labels and photographs from Victorian and Edwardian encyclopaedias to show how the echoes of historic […]