Gala Porras-Kim's, work traces the global circulation of ancient precolonial artefacts extracted from their original sites and stored in museums and private collections.  It examines how the definitions and possibilities of these objects change in response to each context. Departing from official replicas of the monoliths recently found inside the Pyramid of the Sun in Teotihuacan, […]

Making It, is a group exhibition dedicated to a generation of pioneering women sculptors who came to prominence in the late 1960s and early 1970s. Taking an unexpected approach to their chosen media: fusing gold leaf with linen for instance, folding metal or hand-knotting rope, these artists challenged modernist conventions and expanded conceptions of the […]

You Have a New Memory, Rachel Howard’s inaugural exhibition brings together a new body of work that continues Howard’s pursuit of the possibilities of painting through experimentation. For the past 25 years, Howard explored and challenged the capacities of paint, creating works that grapple with notions of uncertainty, fragility, beauty, and pain. Revelling in the […]

Janet Sobel's exhibition 20th Century Women is a unique presentation of paintings and drawings, which opened at Frieze Masters and continued after to show the work of sixteen artists and makers from a range of disciplines.  They are linked by a common commitment to their craft and a categoric refusal to adapt to normative requirements of the […]

Anne-Marie Butlin plaints flowers from still life, photographs, gardens and hedgerows in vivid colours.  

Still Here is an exhibition of new works on paper by Claudette Johnson. This body of work continues Johnson’s engagement with painting the Black subject, involving a considered process of live sittings to create complex paintings of imposing scale and expressive detail.

Andrea Büttner’s exhibition Asparagus Harvest, presents three recent bodies of work: a series of etchings depicting the harvest of white asparagus, a selection of glass vases and a large-scale photograph of a former plant bed at the Dachau Concentration Camp.

Subterrane, Rosanne Robertson’s exhibition brings together recent sculpture, performance, drawings and paintings which continue Robertson’s exploration of the terrain of the Queer body in the landscape – inspired by the great energy, freedom and fluidity of the sea.

A virtual reality painting, Still Life, overlays image, object and landscape to generate a saturated panorama. Users explore Chiara Passa’s unique topography, which is set across two distinct worlds, by traversing various types of terrain, moving through and around structures, and interacting with ornate objects. 360 is composed using photogrammetry – the process of interpreting physical material by […]

Shilpa Gupta highlights the fragility of one’s right to expression whilst raising urgent questions of censorship, confinement and resistance. In her exhibition Sun at Night.  In it Gupta presents and builds on […]

SOME OF US ARE BRAVE’ platforms the work of nine emergent artists to celebrate Black women’s contributions to our visual culture. It showcases various styles of artistic production, different perspectives, and modes of storytelling, which collectively proclaim boldly and proudly that Black women will continue to take up space to foreground their lives and experiences. […]

Marine Wallon’s exhibition Purple Lime, is a new body of work that explores themes such as the duality of colours, notions of movement, the fragmented landscape, and the tension between humans and nature.  

In Healer, Pamela Rosenkranz shows sensory and atmospheric works in which light, sound and colour play an essential role.  The exhibit is a robotic snake covered with kiribati scales, as if lying in a terrarium. In her oeuvre, Rosenkranz questions the certainties of authentic human experience, perceiving people as permeable membranes at the interface between nature and […]

Dislocations is a group exhibition featuring the work of contemporary artists. The artists included here reframe the ways we inhabit, perceive and represent the natural world. They direct our attention to sites, spaces and experiences often overlooked in traditional landscapes and question what belonging in or to such places might look like beyond attempts at mastery […]

You Are Here, is an exhibition by Wangari Mathenge, which draws on early memories and personal observation, to address the diasporic experience of home, and of establishing oneself at a distance from one’s cultural origin. You Are Here will also include the artist’s first large-scale installation. This work, incorporating Mathenge’s first stop-motion animation, will invite the viewer to step into […]

Laura Knight (1877-1970) was in her lifetime one of England’s most prolific artists, a pioneering painter of women, war, and marginalised people with a long and successful career that saw her travel […]

Jacqueline de Jong is considered one of the crucial artistic figures of the post-war avant-garde. This exhibition, The Ultimate Kiss, is the first presentation of her work in the UK. Throughout […]

Giosetta Fioroni’s practice differs from those of her immediate contemporaries and from the overarching notion of Pop as it came to be understood in the English-speaking world. The divergences are most clearly pronounced in her persistent exploration of femininity, rooted in both her personal experiences and her interpretation of the category in popular culture.

Nicola Hicks’ exhibition Dump Circus is a large-scale installation imagining an urban wasteland, where the natural world has been ravaged and suffocated by debris and greed. Within this scene, a cast of wild and domestic creatures have bested their ringmaster.