This is the first museum exhibition of works by Dora Carrington (1893-1932) in almost 30 years. As a significant contributor to British art during the interwar years and an associate of the Bloomsbury Group, Carrington was described as ‘the most neglected serious painter of her time’ by former Tate Director, Sir John Rothenstein. Spanning paintings, drawings […]
A comprehensive exhibition dedicated to Erica Rutherford (1923–2008), one of the first openly transgender British artists. The exhibition presents a survey of Rutherford’s work, with a show of paintings and works on paper from the 1970s to the 1990s, with a particular emphasis on her later series, The Human Comedy. In the exhibition are two significant earlier […]
The exhibition, Faces of Flame, by Ekta Bagri focusses on sustainability, and incorporates unconventional materials such as pallet wood, and agricultural by-products into her ceramic creations.
An exhibition of sculptures and drawings by Susie MacMurray, revealing the artist’s delight in working with curious materials in unusual combinations, and a shift in her focus from the thematic towards the haptic.
Way Back Home, is the title of Youngju Joung's paintings of Korean shanty towns that are imbued with elements of the country’s history and society. The artist has developed her own technique of applying small pieces of traditional and locally made hanji paper onto the surface of the canvas to provide depth and texture to her […]
Yeonsio Ju's art practice is an exploration of absence, memory, and love. Her paintings are inspired by the traditional Korean ritual of 'Gijesa', which is a mourning ritual practised in Korea. In this series of paintings, Altar; the Carrier, Yeonsio depicts various dining scenes using oil on linen
Portraiture serves as a means to explore emotion, identity, and the human condition. In this exhibition, Standstill, they are frozen in states of ambiguity? Katinka Lampe and Paul Robas’ new portraits are caught in this ambivalence; devoid of any clear meaning, they gaze into the void of the gallery space, luring us in, begging us […]
In Matthew’s Boat, Charlotte Guérard asks a series of questions on the art of painting that she ponders on, and experiments with painting as a form of installation, pushing the formal boundaries of an artistic discipline, which is rarely disturbed.
Sophie Ruigrok’s exhibition, Rapid Movement Over a Landscape, engages ideas of subject-hood, and alighting from her fascination with out-of-body experiences; encounters with the extra-ordinary that impel the destabilisation and virtualisation of it.
The exhibition, Beyond Ravilious, is devoted to the artist and designer Tirzah Garwood (1908–1951). She is best known until now as the wife of Eric Ravilious and as the author of the autobiography Long Live Great Bardfield. Garwood excelled as a fine artist and printmaker, her diverse and enchanting works are gems of the mid-20th […]
In this exhibition, Rachel Zhang, delves into the absurdities and anxieties surrounding personal autonomy and systems of power. Through surrealist figurative scenes, Zhang explores the evolving beliefs of structure, social hierarchies and manifestations of control. She is known for her evocative oil paintings that explore the intersections of personal autonomy and authority. Zhang’s work dives […]
Triple Threat, is an exhibition of drawings by Somaya Critchlow. It comprises a selection of over 40 new works on paper (2023-2024). Triple Threat is the artist’s first exhibition to focus solely on drawing. Working in graphite pencil, ink with a brush, or traditional Japanese glass dip pen, images are composed and repeated with the […]
Anna Calleja’s exhibition, One Fine Day in the Middle of the Night, is an ode to the female experience. It explores the contradictions within sexuality, bodily autonomy and queerness that challenge traditional conventions and expectations of the female role.
The End of Ritual, depicts moments of disquiet articulated within densely populated interiors, spaces where the old world meets the new and a restless dynamic unfolds between performers and spectators in and out of the frame. María Berrío is celebrated for works that draw upon aspects of mythology and folklore to create narratives that address […]
Jana Schröder’s latest paintings serve, first and foremost, to explore the Metamorphosis in Generative Human Thinking (M.I.G.H.T.), an acronym she devised that also evokes ambiguity and doubt. Reflecting on the ongoing technological revolution, Schröder draws parallels between neurological communication and the overwhelming flood of information that permeates our culture today. As technology advances, the analogue […]
The House of Bernarda Alba, is an exhibition featuring works by Elena Njoabuzia Onwochei-Garcia and Sam Llewellyn-Jones. United by themes of place, identity, and memory, Onwochei-Garcia’s work confronts contemporary surveillance, identity politics, and post-colonial narratives. Llewellyn-Jones explores the themes of landscape and material elements; his work highlights the passage of time, revealing how landscapes carry […]
An exhibition of works by photographer Priscilla Rattazzi, entitled Between Worlds; this exhibition offers a survey of three bodies of work from across five decades: Portraits (1975–2023), Hoodoos (natural rock formations in south-west Utah, 2009–19), and Lindens (1991–2021), bringing together twenty-four individual photographs. This is the first time that these three distinct groups of works are shown in a single exhibition. The themes […]
In new embroidered works, Tamar Mason explores the complexity of rural life in South Africa, intertwining human and environmental concerns. Focused primarily on the history and landscapes of Mpumalanga, Mason’s home province, her works consider the impact of failing government services on local communities and the natural environment. They address enduring legacies of exploitation, championing […]
A Moment to Myself, is a solo exhibition by Deborah Segun that questions how the internal self reflects the natural world. Her newest body of work continues the artist’s introspective deep-dive into ideas of self- reflection, probing pertinent philosophical ideas and a more ‘hands-on’ approach, through painting
Lindsey Mendick's creation of new ceramic works explores her thoughts on Why Do We Take Drugs? In this exhibition, Hot Mess, Mendick examines her intertwined relationship with alcohol, mental illness and antidepressants. Through mythology, pathos and humour, she unpacks her (at times) debilitating anxiety and the ways in which society has learned to self-medicate by […]