Grey Unpleasant Land, is a collaborative exhibition by Sophia Al-Maria and Lydia Ourahmane. The exhibition examines the myth of England as a nation, and combines a range of media—including historical […]
(Re)Coded shares perceptions of data collection, use, dissemination and how these are understood and acted upon by Birmingham’s inner-city Caribbean diasporic communities. This exhibition presents Vic Moyosola’s photographic portraits of […]
The real subject of Helen Ireland’s work is ambiguous, and is perhaps impossible to describe in words. In her working process we witness an endless build up of lines and […]
The exhibition, 'Silence is a Powerful Sound' by Ann Christopher, is a poignant and evocative show that features a series of new sculptures, works on paper, and selected pieces from […]
Sikán Illuminations examines Belkis Ayón’s (1967 – 1999) brief but intense artistic career. She used a printmaking process called collography to produce richly detailed and enigmatic artworks, which recreate the cultural […]
Alya Hatta’s practice reflects her nomadic childhood, and her work reflects her vast personal archive, which includes everyday phone photos, evocative pictures and music videos found through casual Internet surfing, […]
Give Me an Inch showcases the work of six artists on the subject of entry points. Each artist presents a deliberate offering, permitting the viewer to decode their work via a […]
I see his blood upon the rose, traces the history of the flower in art, its evolution from botanical illustrations to the opulent still-life paintings of the 17th century, their […]
This exhibition aims to reposition Carrington in the history of Modern British art that spans paintings, drawings and prints from across her career. The exhibition includes film and photographs […]
This exhibition, Nightingale Night features 14 new paintings by Maggi Hambling, inspired by a night spent in the Sussex woodland guided by folk musician and conservationist, Sam Lee. The nightingales’ haunting […]
This is the first museum exhibition of works by Dora Carrington (1893-1932) in almost 30 years. As a significant contributor to British art during the interwar years and an associate of […]
A comprehensive exhibition dedicated to Erica Rutherford (1923–2008), one of the first openly transgender British artists. The exhibition presents a survey of Rutherford’s work, with a show of paintings and works on paper from the 1970s to the 1990s, with a particular emphasis on her later series, The Human Comedy. In the exhibition are two significant earlier […]
The exhibition, Faces of Flame, by Ekta Bagri focusses on sustainability, and incorporates unconventional materials such as pallet wood, and agricultural by-products into her ceramic creations.
An exhibition of sculptures and drawings by Susie MacMurray, revealing the artist’s delight in working with curious materials in unusual combinations, and a shift in her focus from the thematic towards the haptic.
Way Back Home, is the title of Youngju Joung's paintings of Korean shanty towns that are imbued with elements of the country’s history and society. The artist has developed her own technique of applying small pieces of traditional and locally made hanji paper onto the surface of the canvas to provide depth and texture to her […]
Yeonsio Ju's art practice is an exploration of absence, memory, and love. Her paintings are inspired by the traditional Korean ritual of 'Gijesa', which is a mourning ritual practised in Korea. In this series of paintings, Altar; the Carrier, Yeonsio depicts various dining scenes using oil on linen
Portraiture serves as a means to explore emotion, identity, and the human condition. In this exhibition, Standstill, they are frozen in states of ambiguity? Katinka Lampe and Paul Robas’ new portraits are caught in this ambivalence; devoid of any clear meaning, they gaze into the void of the gallery space, luring us in, begging us […]
In Matthew’s Boat, Charlotte Guérard asks a series of questions on the art of painting that she ponders on, and experiments with painting as a form of installation, pushing the formal boundaries of an artistic discipline, which is rarely disturbed.
Sophie Ruigrok’s exhibition, Rapid Movement Over a Landscape, engages ideas of subject-hood, and alighting from her fascination with out-of-body experiences; encounters with the extra-ordinary that impel the destabilisation and virtualisation of it.
The exhibition, Beyond Ravilious, is devoted to the artist and designer Tirzah Garwood (1908–1951). She is best known until now as the wife of Eric Ravilious and as the author […]