A multidisciplinary artist, Mani Kambo explores the inner spirit by drawing on her own personal totemic symbols. She is influenced by her upbringing in a household filled with superstition, prayer, and religious ceremony. Kambo’s practice encompasses textiles, fabric dying and printmaking, and is rooted in her family history within the caste system.
This major cross-generational exhibition, Soft Impressions, features work by Helen Cammock, Ingrid Pollard and Camara Taylor. The artists’ shared engagement with printmaking is contextualised alongside works in installation, moving image, textiles and a painted mural.
Amy Hui Li’s exhibition is a deeply personal exploration of materiality, fragility and emotion. Balanced between painting and sculpture, Paradise Lost narrates the process of falling apart and coming back together again, and presents a new series of mixed media works that hover on the boundary between painting and sculpture.
Hilary Heron: A Retrospective celebrates the pioneering work of modernist sculptor Hilary Heron (1923 – 1977). This exhibition seeks to correct the ways that her work has been overlooked in Irish and international histories of modern sculpture. It brings together work from national and international collections, including carvings, welding and castings. Heron was a master […]
This exhibition, Zvakazarurwa, presents new and recent paintings, by Portia Zvavahera. It draws on southern African culture, Christian iconography, traditional European painting and African printmaking, The exhibition shows artworks informed by the artist’s own dreams and the spiritual traditions she grew up with as a child.
Ruby Neri’s debut solo exhibition, Chorus, displays her sculptural works and accompanying drawings. Through this deeply introspective yet accessible body of work, Neri explores the challenges and beauty of everyday life.
Caretaker is an exhibition of paintings by Nova Jiang that explore our uneasy relationships with nature. Jiang’s work is informed by her experience as a young immigrant growing up in New Zealand and her concerns over climate change.
I Should Have Prayed For Other People, is the title of Veronica Fernandez’s exhibition. Her paintings offer dreamlike windows into childhood memories, narrating raw anxieties alongside moments of understated joy and innocence.
Virginia Overton utilises salvaged materials from historic sites to create wall-based public sculptures that are repurposed and reassembled into a new series of sculptures for this exhibition. Informed by line, form and colour the wall-mounted reliefs featured, continue Overton’s exploration of the poetic tensions and inherent ‘otherness’ within her chosen materials.
This exhibition of a single-channel video by Sara Sadik is the artist’s first solo exhibition in London. Often inspired by real people she knows, the artist explores themes of masculine identity.
This is Sojourner Truth Parsons’s first solo exhibition with Pilar Corrias. In the show, Parsons’s new paintings act as indices for moments of intensity and intimacy. Through her use of rich, vibratory tones, the artist locates and extracts fleeting details from our quietest moments: the subtle interactions of light, the flickering of memory and thought.
Isabella Ducrot presents her latest series of works on paper, Profusions, that can be traced back (in appearance) to a classification of “still life” representing an object dear to the genre, the “flower vase”. Profusion is that which has no balance in number and size, and it is at the same time an act of […]
Lilly Fenichel’s exhibition, Against the Grain, is refreshingly varied, revealing her relentless curiosity and the range of her creative expression. Her diverse body of work speaks to an artist unafraid to explore different media, forms, and techniques. In her work, the energy, vibrancy, and bustling colours express an urban scene teeming with life.
Levitation, is a duo exhibition featuring the works of Nathalie Junod Ponsard and Hans Kotter. These two artists explore the transformative power of light and colour, which redefines our perception of space and challenges our sense of orientation. The works of Ponsard and Kotter present a compelling meditation on levitation as both a physical and […]
Anna-Rose Stefatou’s solo exhibition Glow-in-the-dark Stars and Blu Tack presents a new series of photographic works that reference the ritual of coffee reading and occult diagrammatic constellations.
Shona Branigan’s, Heartwood exhibition is created from a disc of the trunk of the iconic Sycamore Gap tree. Heartwood shows every tree ring, groove and detail from the cross-section of the almost heart shaped trunk of the tree.
Paule Vézelay (1892-1984) was a key figure of 20th-century British abstract art. Her vivid explorations of colour and line fill this retrospective exhibition at the RWA - the largest solo show of Vézelay's work in over 40 years. On display are more than 60 works including paintings, prints, sculptures and textiles, in addition to archive […]
This solo exhibition of paintings and sculptures by English-Indian artist Tanya Ling debuts an new body of work, accompanied by an illustrated publication and interview by Dr Gilda Williams. Ling has made work which responds to both her lifelong love of horses as well as the Lyndsey Ingram gallery at Number 16, a converted 19th century […]
No Dimensions, marks the beginning of a new phase of development for sculptor Katie Cuddon, who primarily works with clay, sculpting forms that are often pummelled, kneaded and masticated. These are sometimes combined with found objects, furniture or items made with other materials. In this new series she set out to explore themes of mortality, […]