Naomi Hart has been travelling all her life and records her journeys in sketches and paintings exploring how myth and reality can coincide within the same landscape. From the forests […]
An exhibition of rare ballet and theatre designs by Dorothea Tanning, dating from 1945 through to 1961; this body of work has not been exhibited in Europe previously. The series of […]
In Stones of Peace we encounter and experience various aspects of Sheila Hicks’ practice, from densely woven linen panels to soft sculptures and large scale Boules of intertwined yarns. While creating the show, she referred to works in progress as ‘slivers of sentiment, slumbering on the doorstep’. Through her limitless inquiry, we encounter a cacophony of colour, texture […]
Sherrie Levine’s work engages many of the core tenets of postmodern art, in particular challenging notions of originality, authenticity, and identity. Levine rose to prominence as a member of the […]
Juliana Cerqueira Leite’s exhibition Bloom includes new sculpture, photo-collage and video that explore the steady stream of recent online news that focuses on humanitarian crises. These works examine the gesticulations […]
Andromedan Sad Girl is the first major collaborative exhibition by artists Florence Peake and Tai Shani. Drawing on their research into structures of feminism, their immersive installation is an imagining of what a pre or post patriarchal site could be. Peake and Shani are interested in exploring the fluid mythologies and imagined futures of lost civilizations. […]
The pieces selected by Lubaina Himid are all by women artists, and occupies one room within the gallery. At the centre of this display is her 1987 series of watercolour drawings, ‘Scenes from the life of Toussaint L’Overture’, about the former slave who led the Haitian revolution. The meticulous detail within this series, and its […]
This landmark exhibition explores the life and work of May Morris, the younger daughter of William Morris and one of the most significant artists of the British Arts and Crafts movement. May Morris: Art & Life is the most comprehensive survey of May’s work to date, bringing together over 80 works from collections around the UK, many […]
An exhibition of Annabel McCourt’s bold, visceral installation Electric Fence. Created in collaboration with interactive audio and technology specialists Interact and Connect, this thought-provoking and confrontational piece encourages viewers to examine the perceptions, challenges and preconceptions that impact us all in modern life, and compels us to turn to face them. Inspired by homophobic hate speech and resonating […]
A collection of paintings 2015-2017, by Emily Patrick.
Beth Carter’s world of sculpture and drawing features a cornucopia of dream-like, circus, or half man-half beast shape-shifters who at their core embody the contrasts characterised in Robert Browning’s ‘dangerous edge of things’- honest thieves, tender murderers, superstitious atheists. A wolf appears to contemplate his kill pityingly, while a fox steals into the night with a pheasant, which on closer inspection he holds delicately, in human hands, the bird appearing potentially injured rather than ripe […]
Based on the art work ‘Verb List’ created bythe artist Richard Serra, artists in Make_Shift, manipulate and modify different mediums ansd processes, assembling, layering and collaging both literally and conceptually to disrupt our expectations of objects and images. Works in the exhibition contain a range of diverse thematics, such as landscape and architectural projections, maquettes […]
Shouting in Whispers is a solo exhibition by Helen Cammock. Based on research, found materials and conversations she creates intersectional dialogues that look at individual and collective power, questioning the role of the individual, asking us to consider where we sit within the political and social spaces we inhabit: “I have a role in this, as […]
Tracey Emin’s iconic and controversial installation My Bed will be on display alongside a collection of JMW Turner's seascapes and stormy skies, loaned from Tate’s collection and chosen by the artist. My Bed famously features Emin’s own bed and gives a snapshot of her life after a traumatic relationship breakdown. It offers ‘an unconventional and uncompromising self-portrait through objects’, […]
A significant British artist, Rebecca Warren’s exuberant, roughly-worked sculptures and neon vitrines engage with the canon of art history. Warren first came to prominence in the 1990s and exhibits widely in Europe and the United States. This new exhibition, All that Heaven Allows will draw connections between her practice to date and the geographical context and […]
Larissa Sansour is an interdisciplinary artist, working in video, photography, installation and sculpture to create overtly political works that explore and approximate the realities of life in Palestine. References and […]
Most Loved Most Far is an exhibition of new watercolours by Penzance based artist Kate Walters and a delicate multi-media installation by London based artist Julia Maddison. The exhibition is accompanied by especially commissioned texts by the Revd. Dr. Richard Davey, Professor Penny Florence, and Julian Firth.
Linda Kitson’s vibrant new show, iPad Pictures of the Scalpel & The City at The Framers Gallery is in marked contrast to her formative reportage and landscape work and role as the UK’s only ever female war artist, capturing the danger and destruction of the Falklands conflict in 1982. Linda Kitson’s body of new work created […]
As part of Broadgate's 'Shaped by Design' autumn season, developer British Land has commissioned Helen Brough to create an enriching visual piece of work for Broadgate Exchange House, London - Dahlia Cuore Sculpture and Works on Paper. Throughout history, flowers have symbolised extreme human emotion from birth and death to love and war and finally joy. Hovering in the atrium […]
Ilya and Emilia Kabakov are amongst the most celebrated artists of their generation, widely known for their large-scale installations and use of fictional personas. Critiquing the conventions of art history […]