Beth Carter’s world of sculpture and drawing features a cornucopia of dream-like, circus, or half man-half beast shape-shifters who at their core embody the contrasts characterised in Robert Browning’s ‘dangerous edge of things’- honest thieves, tender murderers, superstitious atheists. A wolf appears to contemplate his kill pityingly, while a fox steals into the night with a pheasant, which on closer inspection he holds delicately, in human hands, the bird appearing potentially injured rather than ripe […]