Annabel Pope is a leading wildlife artist who travels the world to visualize and witness wildlife in its natural environment, which is the inspiration for all her work.

Vivian Suter’s work is inspired by the tropical landscape of Panajachel in Guatemala, where she lives and works. The environment plays an important role in the making and development of her work. She leaves her artwork outdoors to be exposed to the elements so that natural substances, such as volcanic and botanical matter, are incorporated […]

This major exhibition, Sirens consists of an important range of historical works together with three new video works presented for the first time. Over the past year Nan Goldin has been working on a significant new digital slideshow titled Memory Lost (2019), recounting a life lived through a lens of drug addiction. This captivating, beautiful and haunting journey […]

Jessi Reaves, Going out in style, presents works that are contradictory, oscillating between sculpture and furniture while never quite fitting squarely into either category. A piece of fabric resembling a slipcover, typically intended as a protective sheath, is here gaping with holes and draped over a deep rust-coloured container; wooden salad bowls are placed as […]

An innovative exhibition mixing historic objects with new work by artist Charlotte Hodes and poet Deryn Rees-Jones. In a set of three interlinked spaces, the exhibition interprets the lives and works of women writers and their ‘errant’ voices across three centuries.  Relieved of the narratives of genre and time; text, image, and animation explore aspects […]

The exhibition spans Judy Chicago's fifty-year career, from her early actions in the desert in the 1970s, to her most recent series, The End: A Meditation on Death and Extinction (2013–16), which has not been previously shown outside of the US. Judy Chicago explores her work from the perspective of the human condition, connecting birth and death with the emotional […]

The Archive hosts a display of materials from, and relating to, the Her Noise Archive. Her Noise was initiated by Lina Džuverović and Anne Hilde Neset in 2001, with an ambition to investigate music and sound histories in relation to gender, and to create a lasting resource and a starting point for new investigations. In […]

Hilary Lloyd’s new exhibition Car Park features a body of work – spanning video, painting and installation – in which she captures the sights and sounds of an urban landscape. Most of the videos in the exhibition were shot in Thamesmead in southeast London, close to her studio. Focusing on small, seemingly incidental details (a car […]

Selma Parlour is known for her oil paintings that look as though they are drawn, dyed, or printed.  Activities for the Abyss showcases the artist’s soft films of luminescent colour, her delicately-rendered pencil-like oil-made lines and sumptuously refined matt surfaces, her diagrammatic approach that stresses painting’s two-dimensionality, her units of colour inlaid as though through a […]

Nobody axed you to is an exhibition featuring series of new commissions by Jessie Makinson. The exhibition comprises large-scale oil paintings on canvas, a painted and carved Paravent, an in-situ wall-installation and several smaller ink and watercolour drawings, showing the variety of the artist’s practice. Through her work, Makinson creates a vivid transgressive tableaux, weaving together sources […]

Paintings by Helen Johnson that represent contemporary issues, based on the spasming of stock market graphs; fragments of texts from bygone days of pre-mechanical mining and logging; desert islands; and the layout of the Australian Parliament House.

'After Euphoria', is an exhibition by Michaela Yearwood-Dan, which reflects on subjectivity and individual identity as forms of self-determination. Through painting, she explores how selfhood and personal experience – especially love and loss – marks of existence – constitute a vital and highly personal process of self-historicization vis-à-vis identity formation. 'After Euphoria' draws heavily on the vicissitudes of […]

In her exhibition P E R I O D, Fiona Banner Aka the Vanity Press reflects on three years of uncertainty and suspended animation for the British Isles. The central concern of her practice is the exploration of language and communication, with the focus on its breakdown. In this exhibition she uses figurative painting, and presents […]

Jacqueline de Jong’s exhibition Resilience(s) focusses on paintings made in the 1980s and early 1990s, and brings together key works from her Upstairs Downstairs and Paysages Dramatiques series. Exuberant, sensual, violent and contradictory, Resilience(s) manifests the defiance and adaptability inherent in de Jong’s practice.

Showing and Seeing is an exhibition of select works that presents Candida Höfer's  iconic images of libraries and theatres, from locations in Austria, France, Germany, Italy, Mexico and Russia.  They have been brought together to exemplify the artist’s mastery in depicting sublime, grand spaces with inimitable technical virtuosity.

Lindsey Mendick was selected through an open call for a commissioned solo exhibition, Regrets, I've had a few that launches SPACE’s new gallery. As part of the commission, she will lead a series of ceramic workshops for Ilford’s +65s . Lindsey creates installations centred on her skilled work in ceramics and includes banner painting, sewing, metalwork, furniture […]

Marion Fink's, monotype* figures find themselves in surreal scenarios, sublimely interacting with rudimentary features of our world, like rocks, water concrete or steel constructions. Their motives or supposed ruminations (or perhaps those are meditations belonging to the artist) are scrawled, like ‘automatic writing’* across the painted surface. Fink’s works are personalized studies on her perception of […]

Anne Hardy is internationally recognised for her large-scale sculptural installations: immersive, sensual works that combine physical materials with lighting and surround sound. For the 2019 Commission, Hardy transforms Tate Britain’s iconic facade into a marooned temple in an exploration of the natural rhythms of the earth, tides, and the winter solstice.