From the Greenhouse is an exhibition by three Norwegian jewellers, all inspired by the natural world.  Millie Behrens creates jewellery using mainly silver and other materials, such as pebbles found on beaches, and also curates the exhibition; Ingjerd Hanevoldd’s jewellery is inspired by forms of nature, personal identity and personal expression; and  Åse-Morit Thorjørnsrud uses mainly precious […]

A collection of disrupted examples of tourist culture – such as souvenirs, photographs and postcards – that challenge our long-established ideals of the holiday to produce ulterior messages. The relationship between found ephemera and the narrative that is bestowed upon these items by a viewer encapsulates Molly Rooke's practice. Interested in collections of tourist culture […]

The exhibition From the Same Source I have not Taken, centres around faith, trust, coercion and the gap between real experience and artificial effect, and whether the constructed collective experience can be as meaningful as a genuine encounter.

The exhibition is a collection of works by women called Women Can't Paint.

Pregnancy is one of the most extreme states of the human condition, according to art theorist Amelia Jones, as it reveals the ‘tension between self as subject and self as object’. The final display from the ISelf Collection takes its title from Paloma Varga Weisz’s  ambiguously gendered pregnant figure, Bumped Body, reflecting on shifting concepts of selfhood. 23 […]

In the second part of Actions, there is a solo project of new paintings in Gallery 2 by Caroline Walker, titled ‘Home’, of women refugees living in London.  Walker met and photographed five women living in temporary accommodation, before making paintings of each in her studio. Work by the following artists continue on display until 6th […]

Sarah Naim’s first solo show, Reactions, follows on from her participation in Secular Icons in an Age of Moral Uncertainty in 2017. Naim is known primarily as a photographic artist but in fact makes much of her work using a Transmission Electronic Microscope, Scanning Electron Microscope and a high-resolution Flatbed Scanner. Using these hi-tech tools Naim creates seemingly abstract […]

The Gallery presents an international, cross-generational exhibition, which is a celebration of women artists who have shaped and transformed, and continue to influence and expand, the language and definition of abstract painting. Surface Work takes its title from a quote by the Abstract Expressionist painter Joan Mitchell, who said: ‘Abstract is not a style. I […]

Sophie Sherwood is a Bristol based artist, and her latest work, developed over the last year, is about seashells from her home town of Weymouth. Using the digital darkroom, Sherwood opens up the shells’ potential to show that there’s more to these small objects than meets the eye. By using this technique she exposes the […]

American-born artist Nancy Fouts is best known for her distinctive sculptural works, which reconfigure commonplace objects and materials with a characteristically playful and provocative humour. Combining Surrealism, Dada and Pop Art, her work brings together seemingly disconnected objects and ideas to revel in the inherent strangeness of the everyday. This exhibition, Down the Rabbit Hole, addresses the recurring […]

Hergest: Nant is a collaborative project by Angharad Williams and Mathis Gasser; this marks their third collaboration within the "Hergest" cycle. The exhibition will take the form of an installation with all new works.

Notations is an exhibition of new works by Mequitta Ahuja.   Her work explores the currency of the figure of the artist at work in the history of European and American figurative painting. Merging the roles of artist-maker and subject, her monumental paintings depict the artist engrossed in various stages of her artistic process, often within […]

Close Quarters is a new body of work by London based artist Hanae Wilke. Informed by her surroundings and starting with an observation, Wilke constructs sculptures and installations from industrial materials such as metal, pipes, brackets, fibreglass and resin. These works borrow qualities from existing and familiar objects, structures, forms, and systems that are often […]

Cornelia Baltes’ brightly coloured paintings combine simplicity with humour and playfulness. Real-world observations are stripped back to their simplest form; creating new abstract patterns and rhythms. Their bold graphic qualities often spilling out, over the surface and on to the walls and surrounding architecture in which they inhabit. Lightbox, is a a new site specific work […]

Visible Women brings together work from Norwich Castle’s modern and contemporary collection made by women in order to celebrate their work and open up conversations about the under-representation of female artists in public collections. The title of the exhibition was adapted from the seminal book 50% Visible Women created by the radical feminist artist Penny Slinger (b.1947) while […]

The Gallery in collaboration with the Birgit Jürgenssen Estate, Vienna, presents Nocturnal Light, a solo exhibition of work by the Austrian artist Birgit Jürgenssen (b.1949, Vienna). Whereas Jürgenssen's 2013 solo show at the gallery focused on works from the 1970s, the current exhibition presents later work, made between 1987 - 1996. Jürgenssen, who died in 2003 […]

Wild Flower, is a solo exhibition of new works by LA-based artist Sarah Cain.  A self-proclaimed “renegade”, Sarah pushes the limits of the language of abstraction, and challenges the established conventions of painting by incorporating quotidian and poetic ephemera into her paintings. Her paintings extend into three dimensional space through the addition of sea shells, chains, […]

Rio Azul, is an exhibition of works by Beatriz Milhazes that are explorations in a variety of media including painting, installation, sculpture and collage and her first ever tapestry: a unique, major work created especially for the show. Milhazes said: ‘I want to have optical movements, disturbing things; such visions that your eyes would be disturbed […]

Julie Oldfield says "I started experimenting with weathering process on my work when I was using canvass as the base material, by leaving them in my garden for weeks or months, sometimes dipping the work in the sea as well. More recently I have been working on metal sheets such as copper and brass. I incorporate […]