C I T H R A is the first solo exhibition in London by Lauren Gault. Experimenting with unorthodox techniques and manufacturing processes, her work explores the often imperceptible changes that occur all around us.  From microscopic events to geological time-scales, her works confront the ethical, political and emotional implications of human interactions with the […]

Christine Rebet's exhibition Time Levitation, comprises six hand-drawn animated films that address the traumas of personal and collective histories, illusion and the destruction of our shared history and environment.  Drawing is at the […]

Little is Enough For Those in Love, is Cassi Namoda’s first European solo exhibition, which takes its title from an East African proverb.  The exhibition features new paintings that explore life and love in the city of Maputo, the artist’s birthplace and home for several years. Veering between the polarities of joy and pain, Namoda foregrounds […]

France-Lise McGurn works with painting to create layered installations that incorporate gallery walls, floors and ceilings. "In Emotia" is a derivative term which suggests a state of being, simultaneously emotional and in motion. Mcgurn’s figurative painting and wall drawings evoke bodies and limbs overlapping and interacting in ambivalent spaces, at parties, in night clubs, on streets […]

Illuminating the Self is an exhibition of new work by Susan Aldworth and Andrew Carnie in response to groundbreaking research led by Newcastle University into developing a new treatment for epilepsy. The exhibition, which includes further work at Vane Gallery, explores different aspects of the University's CANDO project (Controlling Abnormal Network Dynamics using Optogenetics). Optogenetics is […]

This is the first UK solo exhibition of works by Hedda Sterne (1910–2011).  She was an active member of the New York School, and was born in Bucharest, Romania in 1910 and fled to the US in 1941.  Sterne created an extensive body of work that intersected with some of the most important movements and […]

Penelope Haralambidou's project 'City of Ladies' studies 'The Book of the City of Ladies', 1405, by Italian/French medieval author Christine de Pizan (1364 – c.1430). The text is part of a compilation assembled for Queen Isabeau of Bavaria between 1410 – 1414 (Harley MS 4431) the largest surviving collected manuscript of her works and one […]

Laws of Ordered Form is a new commission by Anna Ridler for Data / Set / Match, a programme exploring how digital technology and new categorisations increasingly influence the way humans and machines see and understand the world today. The project creates a “historic” ImageNet using labels and photographs from Victorian and Edwardian encyclopaedias to show how the echoes of historic […]

The End of the Sentence presents artist Judy Price’s research into the history of Holloway Women’s Prison. The exhibition reflects on the impact of the criminal justice system on women, and features new work by Price, other artists whom she invited and archival material.

This selection of works demonstrates the genius in Marie Laurencin’s vision of a self-sufficient world of female affection and creativity. This exhibition seeks to celebrate Laurencin’s qualities as a great modernist painter, her instrumental role in defining the Art Deco style, and her influence on a generation of the Parisian intellectual elite.

‘Window’ is an exhibition by Isa Genzken featuring a new and unseen body of work. Genzken’s immersive environment expands on the themes of travel, through elements of an aircraft cabin, and the window as a juncture between interior and exterior spaces. In this respect, it reveals the artist’s interest in architecture and light.  Genzken is […]

Hannah Townsend’s sculptural vessels, merge the practices of ceramics and printmaking to reveal scrupulous order behind each expressive mark. In Marking Time, Hannah slip-casts beakers and bowls in white earthenware and creates large statement vessels using a hybrid casting-throwing technique that yields pleasingly irregular contours.

Emily Myers, Anna Silverton and Ali Tomlin are linked by their exploration to form and its relationship to the surface.  This exhibition, Line & Form brings their work together, which explores the relationships between surface decoration and form.⠀

Neda Dana-Haeri’s work is based on the interplay of “cultural memory” and personal memory.  Her art is driven by Persian poetry and Eastern philosophy, and her works reflect images of nature carrying with them the unconscious emotions of our daily life. Neda uses layers of colours and textures to reflect and infer nature, the unconscious […]

A line drawn by hand is a fundamental act for Wendy Smith and underpins her work.  This exhibition, Forms of Life, offers a selection of new and previously unseen work stretching back to the late 90s that highlights the rich and seemingly endless possibilities that emerge as Wendy explores the mysteries inherent in drawn lines on a flat […]

An exhibition of works by Rose Finn-Kelcey (1945-2014), which focuses on key pieces from the 70’s to the 90’s, exploring a breadth of work central to Finn-Kelcey’s practice. She first came to […]

Inscriptions IV, is a screening of 'Inscriptions of an Immense Theatre' at the Whitechapel Gallery, curated by Gareth Evans.  Dr. Sarah Hayden (Department of English, University of Southampton) will be in conversation with Ailbhe Ní Bhriain on Thursday 5 March 7–9pm.

A new solo exhibition of work by Linder Sterling, who is well known for her photomontage.  This exhibition explores the diverse range of Linder’s practice, and explores her as performance artist, zine-maker, musician, documentary-photographer, collaborator, muse, guru, medium and body-builder.