Lesley Foxcroft uses simple and everyday materials such as MDF, rubber, paper and card to make works that are sculptural in nature, yet often are wall mounted and very much […]

The exhibition, 9th St. Club features works from Elaine de Kooning, Perle Fine, Helen Frankenthaler, Grace Hartigan,  Lee Krasner, Mercedes Matter, Joan Mitchell, and is inspired in part by Mary […]

Vivian Suter, lives beside the volcanic lake Atitlán, in Guatemala, and draws her inspiration from the lush plants, vibrant flowers, birds and constantly changing weather of this tropical habitat.  Her mixed media abstract paintings evoke the living energy of the forest: large, unstretched canvases are swathed in colour, gestural brushstrokes and organic motifs.

Just Glass Group show, Recollection, focuses on memories in glass: everything from personal reminiscences to nostalgia, from the science of memory to the commemoration of moments in history. Each piece in […]

Alice Kettle works with marginalised communities and individuals, and collaborates with expert stitchers from around the world. Individuals from Syria, Iran and Uganda contribute to the hand stitching found on these […]

C I T H R A is the first solo exhibition in London by Lauren Gault. Experimenting with unorthodox techniques and manufacturing processes, her work explores the often imperceptible changes […]

Christine Rebet's exhibition Time Levitation, comprises six hand-drawn animated films that address the traumas of personal and collective histories, illusion and the destruction of our shared history and environment.  Drawing is at the heart of Rebet’s practice, which she often develops into animated films, sculpture, installations or performance art

Little is Enough For Those in Love, is Cassi Namoda’s first European solo exhibition, which takes its title from an East African proverb.  The exhibition features new paintings that explore life […]

France-Lise McGurn works with painting to create layered installations that incorporate gallery walls, floors and ceilings. "In Emotia" is a derivative term which suggests a state of being, simultaneously emotional and […]

Illuminating the Self is an exhibition of new work by Susan Aldworth and Andrew Carnie in response to groundbreaking research led by Newcastle University into developing a new treatment for epilepsy. […]

This is the first UK solo exhibition of works by Hedda Sterne (1910–2011).  She was an active member of the New York School, and was born in Bucharest, Romania in 1910 and fled to the US in 1941.  Sterne created an extensive body of work that intersected with some of the most important movements and […]

Laws of Ordered Form is a new commission by Anna Ridler for Data / Set / Match, a programme exploring how digital technology and new categorisations increasingly influence the way humans and machines see and understand the world today. The project creates a “historic” ImageNet using labels and photographs from Victorian and Edwardian encyclopaedias to show how the echoes of historic […]

The End of the Sentence presents artist Judy Price’s research into the history of Holloway Women’s Prison. The exhibition reflects on the impact of the criminal justice system on women, and features new work by Price, other artists whom she invited and archival material.

This selection of works demonstrates the genius in Marie Laurencin’s vision of a self-sufficient world of female affection and creativity. This exhibition seeks to celebrate Laurencin’s qualities as a great modernist painter, her instrumental role in defining the Art Deco style, and her influence on a generation of the Parisian intellectual elite.

‘Window’ is an exhibition by Isa Genzken featuring a new and unseen body of work. Genzken’s immersive environment expands on the themes of travel, through elements of an aircraft cabin, and the window as a juncture between interior and exterior spaces. In this respect, it reveals the artist’s interest in architecture and light.  Genzken is […]

Hannah Townsend’s sculptural vessels, merge the practices of ceramics and printmaking to reveal scrupulous order behind each expressive mark. In Marking Time, Hannah slip-casts beakers and bowls in white earthenware and creates large statement vessels using a hybrid casting-throwing technique that yields pleasingly irregular contours.

Emily Myers, Anna Silverton and Ali Tomlin are linked by their exploration to form and its relationship to the surface.  This exhibition, Line & Form brings their work together, which explores the relationships between surface decoration and form.⠀

Neda Dana-Haeri’s work is based on the interplay of “cultural memory” and personal memory.  Her art is driven by Persian poetry and Eastern philosophy, and her works reflect images of nature carrying with them the unconscious emotions of our daily life. Neda uses layers of colours and textures to reflect and infer nature, the unconscious […]