Soulscapes explores our connection with the world around us through the eyes of artists from the African Diaspora. It considers the power of landscape art and reflects on themes of belonging, memory, joy and transformation. Artists include: Hurvin Anderson, Phoebe Boswell, Njideka Akunyili Crosby, Kimathi Donkor, Isaac Julien, Marcia Michael, Mónica de Miranda and Alberta […]
Dreams Have No Titles is an immersive installation comprising film, sculpture, photography and performance. It interweaves the artist’s biography with activist films produced across France, Algeria and Italy in the 1960s and 1970s - a pivotal moment in the history of avant-garde film production. Dreams Have No Titles blurs the boundaries between fiction and reality, using […]
Spanning more than seven decades, the exhibition, Music of the Mind, focusses on key moments in Ono’s career, including her years in London from 1966 to 1971. The show explores some of Ono’s most talked about artworks and performances, from Cut Piece (1964), where people were invited to cut off her clothing, to her banned Film No.4 (Bottoms) (1966-67) […]
Maybe my fairy-tale has a different ending than I dreamed it would. But that’s OK., is the title of an exhibition by Ruby Dickson. The exhibition relies on a simple premise: a series of human-sized paintings representing Kim Kardashian being captured by paparazzi.
Monica Alcázar-Duarte examines western society's obsession with speed, expansion and resource accumulation at a time when ecological disaster looms. She raises critical questions - where does knowledge lie? Who and what is classified?- joining together the threads of dissociated knowledge systems, as displayed in her exhibition, Digital Clouds Don't Carry Rain.
In this exhibition, I Kept the Money for Myself, Kaye Donachie merges Münter’s symbolism with the short fiction of British writer Virginia Woolf, The Lady in the Looking Glass: A Reflection, published in Harper’s, December 1929. The juxtaposition and conflict between perception and reality is the underlying theme in the story, which describes images reflected in […]
As Feeling Births Idea, is a group show featuring - Virginia Chihota, Rita Alaoui, Ranti Bam, Euridice Zaituna Kala, Paula Do Prado, and Wura-Natasha Ogunji. The exhibition gathers together a reflection on each artist's poetics of interiority and engagement: the phenomena, live, or recollected encounters that inform and shape the featured works in the show.
The exhibition, The Time is Always Now: Artists Reframe the Black Figure, showcases the work of contemporary artists from the African diaspora, including Michael Armitage, Lubaina Himid, Kerry James Marshall, Toyin Ojih Odutola and Amy Sherald; and highlights the use of figures to illuminate the richness and complexity of Black life. In addition, the exhibition […]
Thea Djordjadze creates sculptures and installations of singular, idiosyncratic poetry. Her works are suffused with multiple art-historical references, while at the same time they respond to the particular conditions of the exhibition setting. The fragile, process-driven character of the artist’s practice dissolves the notion of the artwork as a fixed entity. Her sculptures and installations […]
Cristina de Miguel's art is fun and friendly. It is also uncanny, just different enough to perplex, but possessing of a certain effect and affect that demands some explanation as to a how and why. The essence of her process is embodied in the fluidity of surface and form, a way of mixing paint, gesture […]
Mineral Lick, is the exhibition of Saskia Noor van Imhoff, who examines systems, hierarchical structures, and ideas about collecting in her work. In recent years, she has expanded her focus beyond the institutional framework towards an outdoor space, acquiring a plot of rural farmland on the northern coast of the Netherlands.
Obscured still lifes and veiled canvases beg patience and proximity in “Shallow Invitations.” With the title, Danielle Fretwell chooses “shallow” to point to the objects of superficial value she has selected as subject matter, as well as the lack of depth in the work’s pictorial space.
Angelica Kauffman RA was one of the most celebrated artists of the 18th century. In this major exhibition, her trajectory is traced from child prodigy to one of Europe's most sought-after painters. This exhibition covers Kauffman’s life and work: her rise to fame in London, her role as a founding member of the Royal Academy […]
In No Time, this small work evokes the presence of water without dictating its terms, creating an image of either scarcity or excess. The exhibition contemplates repetition – physical, visual, and even emotional – as a mechanism of growth or reduction, understood ultimately as transformation. Liliana Moro’s incessant drops of water paint the sonic landscape […]
Maiko Tsutsumi’s creative practice explores the potential of inherent material qualities; the power and nature of human skills and ingenuity that reconfigure such qualities to create affective quality. In her exhibition, Meditations, she is inspired by the power of ethnological objects, folk objects, folk tales, and ancient architectural details that speak of the nature of […]
Surface Tension, is a joint exhibition of Selome Muleta and Youssra Raouchi. Together, the artists explore the bodies and spaces we inhabit. They take on what it means to feel at home, the ways in which we curate our interior worlds, and the mythical and ephemeral nature of our identities.
In this exhibition, Through the Grid, Lucienne O'Mara, navigates the realm of Modernist aesthetics and theories. The artist challenges the historical narrative that has predominantly attributed Modern Abstract art to male painters. In the context of Contemporary Art, O'Mara's work becomes a poignant re-evaluation of Abstraction, and sheds light on the long-awaited rise and recognition of […]
In her exhibition, Silent Alarm, Tomashi Jackson debuts a body of work that traces a constellation of historic events that took place in Los Angeles and London over nearly a century. She examines the underlying connections between riots, patterns of systemic oppression, and community sound systems in her work.
The exhibition, Herd, sees Kat Lyons bringing together a range of cultural, art historical and ecological references as part of her long-term artistic enquiry into the ways in which animals are recast as cultural phenomena.
Thoughts Are Things, is an exhibition of new textile works, sculptures, paintings and films by Ulla von Brandenburg. Drawing upon enduring influences in the histories of abstraction and modernism, such as occultism, synaesthesia and surrealism, the artist leads the viewer through a dreamlike, playful maze. Ceramic sculptures, vibrant quilts and three films inspired by Sonia […]