The exhibition, Herd, sees Kat Lyons bringing together a range of cultural, art historical and ecological references as part of her long-term artistic enquiry into the ways in which animals are recast as cultural phenomena.
Thoughts Are Things, is an exhibition of new textile works, sculptures, paintings and films by Ulla von Brandenburg. Drawing upon enduring influences in the histories of abstraction and modernism, such as occultism, synaesthesia and surrealism, the artist leads the viewer through a dreamlike, playful maze. Ceramic sculptures, vibrant quilts and three films inspired by Sonia […]
Soft Knock, is an exhibition of new works on paper by Clare Woods, who utilises the genre of still life and the classical trope of memento mori to explore the vulnerability of life, its fragile boundaries and co-existing tensions.
This group exhibition, Acts of Resistance Photography, Feminisms and the Art of Protest, brings together works by international artists and collectives who are using the camera to challenge and move beyond traditional protest photography. Artists include: Laia Abril, Hoda Afshar, Poulomi Basu, Nan Goldin, Guerrilla Girls, Sofia Karim, Mari Katayama, Teresa Margolles, Sethembile Msezane, Zanele Muholi, Wendy Red Star, Tabita Rezaire, Raphaela Rosella, Aida Silvestri, Sheida Soleanimi, Hannah Starkey, […]
This group exhibition, The Goddess, the Deity and the Cyborg, explores how artists have conjured, revered and reimagined the goddess figure. Drawing from works in The Women’s Art Collection, as well as loans from public and private collections; the exhibition explores the enduring appeal of the goddess, and traces how artists have adapted and even transformed […]
A major group exhibition Acts of Creation: On Art and Motherhood plunges into the joys and heartaches, mess, myths and mishaps of motherhood through over 100 artworks, from the feminist avant-garde to the present day. The exhibition addresses diverse experiences of motherhood across three themes: Creation, which looks at conception, pregnancy, birth and nursing; Maintenance which […]
In their exhibition, The Fine Line, artists Macarena Rojas Osterling and Lizi Sanchez examine the relationship between writing and drawing. They intricately explore the gestures and bodily expressions underlying mark-making, observing our connection with language beyond mere communication. The artists focus on the movement inherent in the act of writing, questioning its essence and its […]
In celebration of Women’s History Month and the arrival of spring, the exhibition, The Three Graces, is a contemporary re-examination of this timeless mythological theme. The exhibition demonstrates the enduring relevance of a timeless mythological image and the persistent need to reevaluate themes from the past. The artists from The Three Graces approach an age-old trope in innovative […]
Jess Allen’s exhibition considers space, time and the inevitable transformation of present into past. This Is Now captures a series of fleeting moments in which shadows and figures overlap to represent the ephemeral and indistinct.
After the Rain, an exhibition comprising new works including paintings, sculptures and a site-specific installation by Yuki Nakayama. The exhibition explores the dynamic relationship between space, play and decision-making in emphasising how spatial elements influence our actions and outcomes.
An Idea of a Life, responds to everyday histories of the women-led community who lived in Barking Abbey from c.666AD through to the early 16th Century. This exhibition tells stories that are both imagined and informed by archaeological finds, records and ongoing research emerging from the site of the former Abbey. The exhibition holds newly […]
In Mirror, Mirror, Renata de Bonis explores the veiled passageways between life's sunlit moments and the shadowy depths of sorrow. Her paintings evoke a delicate dance between the outside and the in, where draped curtains transcend their material form to become sacred veils, revealing the intertwined nature of human existence and domestic comfort.
Pretend You Are an American Cowgirl and You Love Me, explores conceptions of fantasy, care, and authenticity. Across her multidisciplinary practice, which includes sculpture, print, sound, and film, Darya Diamond conceives of the body as a ‘primordial workplace’, often through the prism of sex work and other forms of invisible labour.
The exhibition draws its title from a poem by Henry David Thoreau, Low Anchored Cloud. The connection with the natural environment is a primary concern of Lydia Gifford's most recent body of work while maintaining a critical engagement with paintings, which verge into three-dimensional forms. These sculptural and fragile objects, respond to gestures woven through layers, […]
700 Nights of Winter. In her new paintings, Li Hei Di explores primal, sexual urges with her signature fluid application of paint. Balanced on a knife edge between abstraction and representation, her paintings feature figures that swim in and out of view beneath diaphanous veils of paint; each layer offers a different world, or a […]
We do not Sleep, is the title of an exhibition by artists: Layla Andrews, Elissa Cray, Tracey Emin, Laura Footes, Joline Kwakkenbos, Gabriela Max, Lindsey Mendick, Vanessa Raw, and Mercedes Workman.
Polly Braden: Leaving Ukraine is an intimate portrait of women, forced to leave their homes following the Russian invasion of Ukraine on 24 February 2022. In this new series of work […]
Sylvia Snowden: Painting Humanity, presents a selection of work from a career that spans six decades, the exhibition includes large early paintings through to more recent works. Snowden works with […]
Manual Labour is an immersive environment, comprising film, sculpture, print and sound, the exhibition explores the process of becoming a mother, and its creative and destructive power. The exhibition includes a choreographed mechanical sculpture which considers the physical act of labour. The work captures the beauty and struggle of the transition in the sculpture’s brutal, […]
This exhibition showcases over thirty years of Parsons’ practice, including paintings on canvas and paper and sculptures dating from 1950 to 1980, marking the first time an overview of the breadth of Parsons’ practice is shown in London. The exhibition presents Parsons first and foremost as an artist, rather than contextualising her legacy based on […]