Diane Dal-Pra @ Cob Gallery
Cob Gallery‘Of Course You Are’ the title of Diane Dal-Pra’s exhibition, is the response to a preceding question, the demand for approval and the response an affirmation to the subject delivered despite […]
‘Of Course You Are’ the title of Diane Dal-Pra’s exhibition, is the response to a preceding question, the demand for approval and the response an affirmation to the subject delivered despite […]
In Touch, the third exhibition in the gallery’s virtual space, presents work of multiple processes: painting; drawing; batik; photography; video; lithography are explored in the works’ subjects and their conception. […]
This exhibition celebrates the remarkable influence of women gallerists in post-war Paris. At a time when it was still confoundingly hard for women artists to get established, in 1951 one […]
The exhibition, The Abstract Truth of Things features drawings by Charmaine Watkiss and paintings by Andrew Pierre Hart, plus the feature of a soundscape. The lockdown in the UK created an […]
This exhibition reflects on a key area of history and reviews one hundred and twenty-five years of exhibiting women artists. It continues the spirit of our Modern Masters series and allows for […]
‘In My Room’, is Hannah Quinlan and Rosie Hastings’ exhibition, which brings together film, fresco painting and works on paper. As a new body of work, ‘In My Room’ develops the […]
This exhibition, Blueprints, brings together new and existing works in an immersive, site-specific installation, expanding the themes of automation, virtuality and technology that Cao Fei continuously draws upon.
Aimée Parrott's practice encompasses painting, printing, sculpture, artist books, murals and installation. The artist's understanding of painting, her primary medium, informs the ideas expressed throughout her practice as a whole. Approaching the canvas as a fragile and permeable boundary - a metaphorical skin or body that holds the trace of time, thought and gesture - […]
'I Saw the World End’ created by Es Devlin and Machiko Weston, and Voices of War form part of an IWM programme to mark the 75th anniversary of the end […]
An online exhibition of Antonia Showering's work
Evelyn and William De Morgan have been described as ‘two of the rarest spirits of the age’. Evelyn’s paintings bear the influence of early Italian Renaissance art as well as […]
Tools for Life is the first UK solo exhibition of Chilean artist Johanna Unzueta. It features a large-scale felt installation, a collection of garments, a film shot at a textile factory […]
Tamar Mason’s practice encompasses textiles, sculpture, ceramics and architecture. The artist’s choice of media, traditionally associated with women's work, ornament, and domesticity, confronts perceived divisions between art and craft, and allows Mason […]
A pioneer of 1970s Feminist Art, Su Richardson played a key role in revalidating craft as a fine art form and its potential as a means of disrupting the white cube aesthetic. […]
In her distinctive approach to painting, Aileen Murphy generates imagery through a combination of slow layering and fast applications of oil paint, animating a delicate urgency and sparking sensations of both epiphany […]
The exhibition Two Views from the Same Window, by Malgorzata Polonczyk reunites several works that reinterpret different sections of the same contemporary piece.
The centrepiece of this exhibition reimagines the ‘Five Senses’ collaboration between Rubens and Brueghel, which Olivia Kemp’s new paintings reinterpret. Each painting presents one of the five senses as a figure, […]
Elizabeth Price’s trilogy of new multi-channel video works, SLOW DANS, includes KOHL, FELT TIP and THE TEACHERS. These present a fictional past, parallel present and imagined future, interweaving compact narratives that explore social and sexual […]
Jo Spence (1934-1992) emerged as a key figure in British photography in the mid-1970s. Engaging with a range of photographic genres, from commercial to documentary and photo therapy, Spence took a […]
Christine McArthur's early work was primarily in oil and she became well known for her large-scale still life paintings on canvas. In the late 1980s she began to work in oil […]