Hannah Starkey’s large-scale photographs engage with how women are represented in contemporary culture. Her portraits capture moments of everyday life and an expanded female experience. Starkey reveals women in moments of private reflection or social interaction that might otherwise go unseen. The large scale of her images offer monumentality to these instances.
For her inaugural exhibition, We Come From Fire and Return to Fire, Otobong Nkanga presents new sculptural objects, tapestries and a sound installation, as well as wall-hung and floor-based works, combining materials as diverse as clay, rope, glass, wood, textiles, oils and herbs. As an evocation of natural environments, Nkanga incorporates the images and properties of […]
This exhibition, whose title draws inspiration from the allegorical Danse Macabre, or the Dance with Death, includes works across various mediums that are emblematic of Kiki Kogelnik’s exploration of future possibilities, and perils of outer space, and her relationship to the altered and abstracted twentieth-century body. Incorporating work spanning three decades of production, The Dance […]
A retrospective of the work of artist Beatriz Milhazes, who is known for intensely colourful, large-scale abstract canvases. The exhibition, Maresias traces the evolution of her artistic approach over the […]
Vanessa Bell (1879 –1961) was one of the leading artists associated with the Bloomsbury Group. This focused display in Project Space comprises 3 paintings, 1 woodcut and 8 works on paper. […]
The work of Phyllida Barlow (1944 – 2023) is a celebration of the artist’s transformative approach to sculpture, and marks the gallery’s 10th anniversary that was inaugurated by Barlow’s solo […]
Claudia Martínez Garay's new commission celebrates the artist’s unique perspective and diverse practice with a site-specific installation. Her's is a process of carving out, stencilling, and layering images in site-specific murals or free-standing sculptural. Her practice has grown to encompass painting, sculpture, video, and installation, referencing pre-Columbian aesthetics.
'Looking Backwards, Moving Forwards' is a journey of rediscovery and celebration, which honours the enduring legacy of Clare Shenstone and paves the way for her rightful place in the history of Contemporary Art.
Isabella Benshimol Toro uses resin and everyday bathroom appliances, as the basis of her art works. In this exhibition, Rinse & Hold, her endeavours into the vast world of doors and windows, is now brought to life. Isabella works through time in solidifying and exposing the intimacy of domestic habits, with precise and simple gestures […]
"My painting is an investigation of memories in my body, in which I question the temptations and intentions in a portrait of the intimate - a memory of records of looks, people and constructions, of small shapes, environmental themes, habits, the rescue of the knowledge of native peoples - all these things that fill in […]
Nan Goldin’s exhibition, Sisters, Saints, Sibyls, is a series of off-site projects that allows audiences to experience remarkable artworks in unusual contexts. The exhibition is on view at the former Welsh Chapel. Goldin begins her film Sisters, Saints, Sibyls (2004–22) with the myth of Saint Barbara, presenting the story of the early Christian martyr as a three-channel […]
The presentation of In Dreams builds upon and reflect Laura Lancaster’s idiosyncratic exploration of collective memory, loss and longing. Embodying a poignant sense of transience and reflection, her paintings navigate an ambiguous territory between abstraction and figuration, shifting between the sentimental and melancholic, the uncanny and strange.
Working on an intimate scale on panel, Sara Schlesinger’s landscapes preconceive the genre’s traditions and playfully engage with the question – what can you see? Including seascapes and garden-scapes rendered with a reduced colour palette and ambiguous lighting, the artist creates works positioned between binaries of revelation and negation, immediacy and futurity, and symmetry and […]
In Billboards and Talismans, Bethany Hadfield considers the way motorway billboards are viewed in motion, how they act as speakers of desire, and the extent to which the visual qualities of their text – shape, colour, line – can take precedence over linguistic meaning in these transitory, fleeting glances.
Dangerous Waters, is the title of Yuan Fang’s exhibition and the artist’s debut in London. The exhibition features a series of new paintings marked by their monumental scale, cascading cyclical forms and deep, redolent colour palette. The paintings on display illustrate Fang's cerebral exploration of water as both a spatial barrier and a representation of […]
L’improduttiva, is a new body of thirteen paintings and works on paper by Giulia Andreani. These works encapsulate Andreani’s compelling yet haunting painterly practice. Across her oeuvre, Andreani repurposes personal memorabilia and archival photographs, addressing forgotten histories through a subversive and feminist lens. Working primarily in her signature palette of Payne’s grey – a blue-grey […]
Hettie Inniss’s work responds to multi-sensory influences and bodily experiences, capturing and preserving a moment in time inflected by scent, light, sound and memory. Across the works on view in the exhibition is a desire for recollection, of exploring the past in order to make sense of the present. For Inniss, painting can be a […]
The exhibition, Whole Cookie, unveils a new series of figurative paintings by Ana Karkar, and an installation piece comprised of video, sculpture and literature. Composed as a temple to eroticism, it explores and universalises the many complex paradoxes of Ishtar, the ancient Mesopotamian goddess of both love and war, as well as fertility and sensuality. […]
“The Story Behind Each Word Must Be Told” focuses on one of the central threads of Nil Yalter’s practice coming from the nomadic lives and their resistance in Aşık tradition in Anatolia for centuries: the word and the utterance, its sound and its music. From Topak Ev (1973) to D’Après Stimmung (1973), Shaman (1979), Exile […]
The works Miya Jazmin Browne (aka BLCKGEEZER) has produced begin by invoking powerful themes surrounding maternal instincts to feed and nurture, fertility as well as explorations of mother-child iconography. These paintings in Black Nausea/24, go further to explore ‘Black’ not merely as a form of resistance, but as a material expression of existential persistence and do […]