Eunjo Lee is an artist and filmmaker, who works primarily with 3D experimental animation and video art. Within mesmeric digital realms, Lee’s work employs immersive world-building to construct ecological narratives that emphasise the interconnectedness of all beings.
Hegemonic Log(s) And Two Benches, by Alice Wilson is interpreted as several protagonists airing a long, drawn–out parlance, each seeking to justify its presence on a platform constructed in a far more functional derivative to the materials of that on top. A detail not lost on the Matter of Facts.
This exhibition presents eight contemporary artists whose works offer vantage points on a world in perpetual crisis. Each artist explores broader conditions of domination and conflict, as well as horizons […]
Malware presents new tapestries, tuftings, and videos by Qualeasha Wood. This body of work examines overconsumption and consumerism, considering how identity can persist and transform in the face of systemic failure.
This exhibition's title Terra Firma, denotes substance: dry land, solid ground. In these uncertain times, the works of Isabella Dyson, and her father Chris Dyson, convey stability in landscapes and still life paintings, and in buildings that endure.
The works in, It Should not be Forgotten, confronts Britain’s “national amnesia” regarding its role in the transatlantic trafficking of enslaved African people and the colonial legacies that followed. The […]
Morehshin Allahyari's exhibition features her latest work, Speculations on Capture (2024), a newly commissioned piece. Allahyari’s poetic film explores the histories of astronomical instruments crafted in Iran and Pakistan,
Long Before the Walls, an exhibition by Ana Bidart, which introduces a constellation of newly commissioned, site-specific installations and interventions at the gallery.
Nora Turato: Pool7 presents new work by the artist, spanning performance, writing, graphic design, video and sound. The installation investigates our collective relationship to language and communication.
Sheila Fell: Cumberland on Canvas is the first major retrospective of Fell’s work in over thirty years. This exhibition brings together 100 works from private and public collections across the country and will explore Cumberland as Fell’s source of artistic inspiration.
This exhibition is dedicated to the pioneering Irish modernists Mainie Jellett and Evie Hone, and will bring together 90 of their works of art. It explores their friendship and shared experiences while studying in Paris during the early 1920s, and traces their careers back to Ireland. The exhibition highlights the early convergences and later divergences […]
Małgorzata Mirga-Tas (b. 1978) creates narrative-rich works using textiles and fabric, producing vibrant large-scale panels that transform perceptions of Romany culture and history. The exhibition will offer an opportunity to consider the Whitworth’s textile collection in a new and nomadic-centric light, while honouring the lives of stateless communities. Mirga-Tas was selected to represent Poland at […]
Der letzte Tag ist der schlimmste (The Last Day is the Worst) presents new works by Martha Jungwirth. Known for a colour palette that dwells in a corporeal and sensuous register of pinks and reds, some of these latest works feature bold, bright yellows and turquoise hues.
Tender Women is the latest exhibition the The Women's Museum exhibition programme Desire Lines. Sahra Hersi is an artist and spatial designer who lives in Barking and describes her work as […]
This show will display Susan Wilson’s recent body of work, which explores London's urban landscape, particularly the dynamic and multicultural neighbourhoods of Notting Hill and Ladbroke Grove, near to her North Kensington studio since 1985.
Katy Moran’s exhibition Let’s Get Some Air presents new paintings, which unite the raw, fresh energy of splattered paint with thickets of dense mark making, and translucent washes of colour.
For this show, History Painting, Cornelia Parker has created a series of paintings: seemingly abstract oil-on-canvas works inspired by historic newspaper and magazine covers and colour analysis charts.
In Alexis Kyle Mitchell's first solo exhibition, the artist explores the politics of space, place, and embodiment in dialogue with questions of kinship and belonging.
Jenny Saville: The Anatomy of Painting brings together 50 works, which traces the development of her practice, spotlights key artworks, and explores her connection to art history.
Louise Nevelson: Total Life presents key examples of the artist's sculptural reliefs and collages from the 1950s through the 1980s, along with works on paper and jewellery that reveal the origins and depth of her artistic vision.