For her debut exhibition, conceptual artist Mika Tajima presents new paintings, textile works, and sculptures that focus on psychic and bodily energy under the regulation of techno-capitalism. The exhibition connects the industrial production of energy and computational power to the maintenance of a fully realised productive self. Among other linkages, Regulation renders a relationship between a commercial […]
A Certain Blue Enters Your Soul is Katrin Fridriks’ newest body of work, which focuses on the centrality of blue to our universal histories. Comprised of 14 new major works and accompanied with a text by the writer Sebastian Di Giovanni; this exhibition highlights the significance of blue throughout the world and its history. It is inspired […]
Alchemy is an inaugural exhibition of abstract paintings by, Rosannagh Scarlet Esson. The exhibition brings together Rosannagh's dynamic explorations into the chemistry of paint, metals, pigment and the elements, including brand new works produced at her studio in the past year in lockdown.
Temples, a solo exhibition of new works by Daiga Grantina, whose practice investigates the encounters between materials to propose a synthetic concept of the many relationships that shape our world. Grantina presents a new body of work made predominantly from fabric, wood, paint and plastic.
An exhibition of her works. Vanessa Gardiner is a landscape painter, who captures scenes of the Cornwall coastline, by taking drawings directly from the location, such as Tintagel Place, Pentaghlion Cliff and many other vantage points. She paints these scenes to bring out their permanency, using layers of paint. Her paintings have a serenity and […]
The Nostalgia for the Infinite, is an exhibition by Jessica Rankin. Featuring new, mixed media paintings and works on paper, marks a significant shift within the artist’s practice. Known for her large-scale embroideries, collages and watercolours that combine celestial maps and landscapes with text, Rankin’s recent works focus more specifically on the language of painting. While […]
What Was My Own features over thirty new highly detailed, meticulous drawings, both large and minute in scale, derived from film stills. A sense of unease and melancholy pervades Marie Harnett’s new work, as we are offered glimpses into scenes that present an emotion or history that is suddenly intimate and familiar to us.
Alice Anderson’s oeuvre hybridises the worlds of technology and ancestral cultures. Her works include sculptures, paintings and drawings generated through dance-performances, each with ritual at their essence. For this exhibition, Hyperlinks, Anderson presents performative works created through repetitive gestures, some coupled with rapid breathing (the technique of hyperventilation), which gives her access to a state of […]
'Mind Fields', marks the first exhibition of the work of Vivian Lynn (b. Wellington, NZ, 1931 - d. Wellington, 2018). "Our bodies are mediated by cultural codes, as are our daily lives. My interest is in dislocating and transgressing these codes in a way that makes them tangible. The different bodies, the biological, imaginary, socio-economic, political […]
Penny Goring's, No Escape from Blood Castle, is the second iteration of this body of work; the first of which was entitled Escape from Blood Castle. Goring makes drawings, paintings, sculptures, videos, and poems that access recurring personal trauma visions, and by layering these with grief, anxiety, imagination and rage, the subsequent invented mythologies become explorations […]
The Bourdon Street Chemist by Lucy Sparrow is the artist’s seventh major installation. It marks her return to the UK after four years of exhibiting her faux-reality felt worlds abroad. Created with Sparrow’s characteristic painstaking research and attention to detail, the walls of this gallery are transformed into a fully-stocked chemist, handmade completely in felt. In […]
Museé Imaginaire is an ongoing series by Ann-Marie James made directly onto the pages of a first edition of French novelist and art theorist Andre Malraux’s seminal publication from 1952. Museé Imaginaire, or ‘the museum without walls’ as it is often translated, brings together imagery of art and antiquities from all over the world into one tome, calling […]
Your Dawn Will Come is a solo exhibition of new work by Aniko Kuikka.
Nicola Hicks is widely renowned for working on a monumental scale, this presentation focuses on rare smaller sculptures by Nicola, including works in bronze and for the first time, special studio cast plasters. Creating small-scale works during 2020 has allowed Hicks to embrace a year in which existing plans have been postponed and given her the room, both […]
"The object aimed at by this series of handbooks is the recall of the designer and craftsman to a saner view of what constitutes originality by setting before them something of the experience of past times, when craft tradition was still living and the designer had a closer contact with the material in which his […]
In her exhibition Hot Water, Frances Waite explores the domestic bathroom setting as the backdrop for a new suite of drawings, exposing the ambiguities of this secluded space and private activity. It is this environment, traditionally associated with cleansing and ritualistic purification, that becomes fertile ground for her main conceptual concerns: the stage on which scenes […]
An exhibition of work by Carol Rhodes (1959–2018). Organised in partnership with the Carol Rhodes Estate, whose curator Andrew Mummery worked closely with the artist for much of her career, the exhibition will include landmark paintings and rarely-shown drawings dating between 1995 and 2016. Rhodes produced a highly individual body of paintings describing the encroachment […]
Greta Schödl is one of the most significant visual and concrete poetry artists living in Italy today. Active from the 1960s, when the presence of female artists using text represented a minority, Schödl has spent the past six decades honing a unique visual language through a range of mythical compositions. Her work incorporates letters and symbols, […]
The techniques and materials that Carey Mortimer uses are quintessential to her work. The paintings have their beginnings far beyond the first brush strokes; with pigments being ground from collected rocks, coral and burnt vines, ink taken from local cuttlefish. Carey is a contemporary British painter who uses these ancient techniques to convey her very […]
Arnolfini presents a major retrospective of the work of photographer Jo Spence (1934 – 1992), drawn from The Hyman Collection, one of the most comprehensive collections of Spence’s works in the world. Spence […]