Showing now at NMWA in Washington, D.C.:
El Tendedero/The Clothesline Project: 10 November to 5 January 2018.
In this exhibition, Mexico City-based artist Mónica Mayer transforms the clothesline, a traditionally feminine object, into a tool designed to engage the community and facilitate a dialogue around women’s experience with violence—including topics such as sexual harassment, domestic violence, and trafficking. Mayer has implemented El Tendedero/The Clothesline Project in various museums and communities throughout Mexico, South America, and the United States, asking women from different economic classes, ages, and professions to respond to the statement, “As a woman, what I dislike most about my city is…” Participants write their responses on small pink ballots, which are then hung on a clothesline. The site-specific installation documents the project’s results by using content created through community outreach, inviting visitors to add their voices and experiences to the tendedero, or clothesline.
Inside the Dinner Party Studio: through 5 January 2018
This exhibit explores the creation of Judy Chicago’s monumental and radical work The Dinner Partythrough archives, documentation and film. Over the course of nearly five years and with the help of hundreds of volunteers, Chicago executed one of the most iconic artworks of the 20th century, confronting the erasure of women from history using elaborate research, craft and presentation. The extraordinary complexity of The Dinner Party’s process is illustrated through test objects, designs, documentation and revealing behind-the-scenes footage shot by filmmaker Johanna Demetrakas. From nascent ideas in a sketch book to test plates and a textile template, visitors will see the historic record of this unique creation process.
Magnetic Fields: through 21 January 2018
Featuring work by twenty-one artists born between 1891 and 1981, Magnetic Fields places abstract works by multiple generations of black women artists in context with one another—and within the larger history of abstract art—for the first time. Evocative prints, unconventional sculptures, and monumental paintings reveal the artists’ role as under-recognized leaders in abstraction.
Equilibrium: Fanny Sanin: Until 29 October 2017. Equilibrium invites viewers into the rigorous working process of pioneering Colombian-born artist Fanny Sanín. Known for her colorful geometric abstract compositions, Sanín makes between four and eighteen carefully composed preliminary works for each finished painting.
Wonder Women: until 17 November 2017. From the Guerrilla Girls righting the wrongs of the art world to painter Edna Reindel’s tough WWII riveters, to vintage feminist comic books—it’s the celebration of the Wonder Women! Explore images of the powerful woman, real and fictional, in a wide-ranging selection drawn from the special collections and artists’ archives of the Betty Boyd Dettre Library and Research Center.
El Tendedero/The Clothesline Project Image: Mónica Mayer’s El Tendedero/The Clothesline Project; Photo by Yuruen Lerma
Inside the Dinner Party Studio Image: Judy Chicago and a volunteer work on a runner for The Dinner Party in the studio, 1978. Judy Chicago Visual Archive, Betty Boyd Dettre Library & Research Center, National Museum of Women in the Arts
Magnetic Fields Image: Mary Lovelace O’Neal, Racism is Like Rain, Either it’s Raining or it’s Gathering Somewhere, 1993; Acrylic and mixed media on canvas, 86 x 138 in.; Mott-Warsh Collection, Flint, Michigan; © Mary Lovelace O’Neal; Photo courtesy of the Mott-Warsh Collection, Flint, Michigan